Wednesday, 1 April 2020

Fridays in April on Horror Channel feature the Hellraiser Trilogy of films

Friday 3 April @ 22:50 – HELLRAISER (1987)

Frank Cotton (Sean Chapman) has solved the mystery of the Lament Configuration puzzle box, a sort of evil Rubik’s cube. Unfortunately he inadvertently opens a doorway to Hell and, in death, enters the world of the Cenobites, a race of sadistic supernatural beings led by a bald Cenobite (Doug Bradley). Brought back from the edge of damnation by the blood of his brother, Larry (Andrew Robinson), Frank rises to feed on the souls of others. But he needs his lover and sister-in-law Julia (Clare Higgins) to bring him fresh blood.

Friday 10 April @ 23:15 - HELLRAISER II: HELLBOUND (1989)

Kirsty Cotton (Ashley Laurence) has witnessed too many horrific images for her young mind to take and is placed in the care of Doctor Channard (Kenneth Cranham). No one believes Kirsty’s wild and weird tales, except the Doctor who has secretly been searching for the pleasures the dark side can bring. Soon the walls at the institute begin to crack and bleed and once dead faces from Kirsty’s recent past return to haunt her. And then a Cenobite known as Pinhead (Doug Bradley) vows to tear her soul apart.

Friday 17 April @ 22:55 - HELLRAISER III: HELL ON EARTH  (1993)

Pinhead (Doug Bradley) has been caged in the Torture Pillar, his evil secured for all eternity. But a club owner J.P. Monroe (Kevin Bernhardt) buys this bizarre sculpture and accidentally cuts himself during its installation, dripping blood onto the ancient monument. This resurrects Pinhead but this time he’s up against a reporter Joey Summerskill (Terri Farrell) who battles Pinhead into facing his own, tortured past.


Monday, 30 March 2020

Interview with Nicholas Vince

Ahead of Horror Channel’s broadcast of HELLRAISER and HELLRAISER II: Nicholas Vince, who played the Chatterer Cenobite, reflects on tackling monsters, his new one-man show and his love of Vincent Price

Horror Channel are broadcasting HELLRAISER and HELLRAISER II: HELLBOUND. How does it feel being part of such an iconic franchise?

I feel extremely fortunate. And I'm grateful to Horror Channel for screening the films, as there's a chance for people who've not seen them before to watch them. I've introduced the films at various screenings and I'm always delighted there's often a 50/50 split between fans of the films and first timers.

You’ve spoken a lot about your experiences of playing the Chatterer Cenobite. Looking back, how much would you say it has defined your career?

Oh, it made my career. It's given me the chance to work with some really interesting young film makers such as MJ Dixon, Paddy Murphy, Stewart Sparke, Katie Bonham, Federico Ichi Scargiali and Lawrie Brewster. And it led to writing comics for Marvel in the 1990's. It's opened many doors for me, particularly in terms of meeting fans of the films who've been very supportive too.

I AM MONSTERS!, your well-received one-man show, reveals the depth of affection you have for Clive Barker. How would you sum up the impact he’s had on your life?

The impact has been extraordinary. Clive is not only extraordinarily talented, he's been very encouraging of all my writing and acting. When I decided to write some short stories in 2012, the first thing I did was re-read his Books of Blood to get some insight how great short stories are written.

The show reveals not just your love for playing monsters but how much, at certain times in your life, you’ve felt like a monster yourself - being gay but remaining closeted during the 70s and being born undershot and having to have major surgery. How much of your life experiences informed your portrayal of the Chatterer?

Good question. At the time, I was mostly concerned with the mechanics of making the costume and mask work, and hitting my marks on set. I did use a technique I'd learned during a mime class at drama school, where we had to bring in a cardboard box, put it over our head and make it into a character. We weren't allowed to decorate or cut it. That makes you both vulnerable and gives great freedom. Firstly, you can't see the audience, which is freeing; but you also have to rely entirely on your imagination and experiences to give the character life.

It's taken me decades to finally articulate a back story for Chatterer which I'm happy with, which I did in the short story Prayers of Desire.

Is it true that the design of the Chatterer was partly inspired by your own facial reconstruction?

Yes, that's right. I mentioned to Clive a documentary I'd watched about facial reconstructive surgery, during which I realised some of the techniques shown must have been used on me when I was 19 years old. It was really a brief conversation and I'd forgotten about it until after filming when Clive pointed out he'd remembered and incorporated what I'd described into the design of the Chatterer.

Are there plans to stage I AM MONSTERS in the future?

Yes, I'm working on some dates for later in the year for the UK and USA.

How important is the ongoing connection you have with your fans?

That's very important to me. It's something which I was taught by Clive. I used to meet up with friends when he did book signings at Forbidden Planet in London. I once saw him sign for seven hours without a break and he drew a picture along with his signature, and whilst he did that he chatted, answered any question and also asked questions. I've always tried to emulate that attitude when I meet fans, or as Clive would say 'enthusiasts'.

What ‘monster’ movies do you personally admire? Have you a favourite?

I'm a big fan of Vincent Price and the Edgar Allan Poe films he did with Roger Corman. My all time favourite is MASQUE OF THE RED DEATH. What I love about Price in that film is that the monster he plays, Prince Prospero, isn't a classic monster makeup, but he's chilling. Of more classic monsters, then it would be Lon Chaney Jr. as WOLFMAN, Claude Rains as the PHANTOM OF THE OPERA and Robert England as Freddy Kreuger.

If you had the choice of playing any of the iconic monsters, which would it be?

THE ABOMINABLE DR PHIBES, as played by Vincent Price.

Finally, what can we expect to see you in next?

They've just released Ashley Thorpe's BORLEY RECTORY onto Amazon Prime in the UK, narrated by Julian Sands and starring Reece Shearsmith. There are three other feature films nearing completion and aiming for release later this year.

I'm also working on my third volume of short stories, which has my Chatterer origin story as the title, PRAYERS OF DESIRE which is due out at the end of Spring 2020.

HELLRAISER is broadcast on Friday 3 April @ 22:50 and HELLRAISER II: HELLBOUND on Friday 10 April @ 23:15.

Friday, 27 March 2020

Revenge Trailer - Directed by Coralie Fargeat and Starring Matilda Lutz

One of the most talked about movies of recent years, Revenge lends ‘pitch-black humour and a cunning feminist agenda’ (★★★★ Daily Express) to the classic exploitation genre, and now Second Sight Films is giving this groundbreaking gore-fest the Limited Edition Blu-ray box set treatment on 11 May 2020.

The release features stacks of brand new special features, including a new interview with debut feature writer-director Coralie Fargeat and star Matilda Lutz (Medici), whose performance is ‘gripping — a powerful mix of Lara Croft and The Bride’ says The Sun. Also included are new interviews with the film’s cinematographer and the composer, a new commentary and much more.

Pre-Order from Amazon UK here - Link opens in a new window

Tuesday, 24 March 2020

Horror Channel celebrates Sci-Fi B-Movies with Classic Sci-Fi Weekend in April

Horror Channel also celebrates the Sci-fi B-Movie with a CLASSIC SCI-FI WEEKEND, featuring the channel premieres of mutant octopus-rampaging IT CAME FROM BENEATH THE SEA, Fred F. Sears’ saucer-invading caper EARTH VS THE FLYING SAUCERS, Sears’ rampaging alien bird yarn THE GIANT CLAW, Jack Arnold’s thought-provoking classic THE INCREDIBLE SHINKING MAN and Nathan Juran’s Ray Harryhausen inspired 20 MILLION MILES TO EARTH. Broadcast on Saturday 11 April and Sunday 12 April from 2pm, the season also includes more strange creatures and alien invaders with  THE THING FROM ANOTHER WORLD, THIS ISLAND EARTH and JOURNEY TO THE FAR SIDE OF THE SUN.

Full film details in transmission order:

Saturday 11 April @ 14:00 – THE THING FROM ANOTHER WORLD (1951)

After crashing their car in the Scottish countryside, pregnant couple Rachel and Matt Hopkins are offered shelter by a local farmer and his family. That evening Rachel realises the farmer's daughter is a missing child from the news and attempt to leave the farm and get help, but the family capture and imprison Rachel and Matt. It soon becomes clear they want their baby….

Saturday 11 April @ 15:45 – IT CAME FROM BENEATH THE SEA (1955) *Channel Premiere

While on a routine mission, Cmdr. Pete Mathews (Kenneth Tobey) runs into trouble when his submarine is nearly sunk by an unknown creature, which is identified as a giant octopus from the nether reaches of Mindanao Deep. The beast has been awakened by nearby nuclear testing and now, radioactive and monstrously huge, the rampaging leviathan is heading toward the North American Pacific Coast.

Saturday 11 April @ 17:20 - THIS ISLAND EARTH (1955)

When atomic scientist Dr. Meacham is chosen to take part in a top-secret research experiment, he quickly discovers that he is really involved in an evil scheme by alien Metalunans to take over Earth. After he and Dr. Adams make their escape, they are whisked away in a flying saucer to Metaluna, where they are blamed for the destruction. Will interstellar negotiation save the day or will the scientists be forced to take part in a treacherous battle to the death?

Saturday 11 April @ 19:10 – EARTH VS THE FLYING SAUCERS (1956) *Channel Premiere

UFOs from a doomed star system invade Earth with plans of world conquest. Surrender is not an option so the human race must fight to the bitter end. Special effects are by Ray Harryhausen.

Sunday 12 April @ 14:00 – THE GIANT CLAW (1957) *Channel Premiere

When a strange flying object is spotted, it is believed to be a UFO. However, it turns out to be an extraterrestrial bird made of anti-matter which leaves a trail of death and destruction in its wake.

Sunday 12 April @ 15:30 – THE INCREDIBLE SHRINKING MAN (1957) *Channel Premiere

While on a boating trip, Scott Carey (Grant Williams) is exposed to a radioactive cloud. Nothing seems amiss at first, but several months later Scott realizes that he's shrunk in height by several inches. He sees a doctor, who admits that he's baffled. As Scott continues to shrink, decreasing to three feet tall, he becomes bitter, and lashes out at his wife, Louise (Randy Stuart). He begins to fear a cure will never be found -- since even as he becomes a national sensation, he's still shrinking.

Sunday 12 April @ 17:10 – 20 MILLION MILES TO EARTH (1957) *Channel Premiere

A manned space flight from Venus crash lands in the Mediterranean, losing its most precious cargo: reptilian eggs from the planet's surface. Italian zoologist (Frank Puglia), his American granddaughter, Marisa (Joan Taylor), and returned astronaut Calder (William Hopper) must battle to the creature before it destroys everything in its path.

Sunday 12 April @ 18:50 - JOURNEY TO THE FAR SIDE OF THE SUN (1969)

Two astronauts unravel more than a mystery when they set out to explore a newly discovered planet hidden; there are two weeks left before two planets collide, but Russia and the USA refuse to co-operate.

TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138

Thursday, 19 March 2020

Interview with The Soska Sisters

The Soska Sisters on the set of VENDETTA with Dean Cain

Ahead of Horror Channel’s UK TV premiere of VENDETTA (part of the VENGEANCE season), the Soska Sisters reflect on their life-long love of wrestling, getting revenge, and their next, long-waited original film BOB.

You’re back on Horror Channel. Excited?

Jen: Deliriously. We love the Horror Channel! It's our favourite place to be. Thank you for having us back!

Sylvia: LOVE the Horror Channel. It feels a little odd because you guys usually are the first to show our work and Vendetta showed up late. I won't even begin to mention the long-awaited Hellevator.

Finally, your UK fans get to see VENDETTA on British TV!

Jen: I'm so happy it VENDETTA has finally invaded British airwaves. The UK has always been so gracious and supportive of us and our work leading back to the Dead Hooker in a Trunk days. It's only fitting to have VENDETTA follow suit. It's no secret we love our British fans and hold a special place in our hearts for them. I'm excited for them to finally be able to enjoy what I like to call our "Punisher" movie.

Sylvia: Maybe it's happened because the UK has been the most supportive of our work, so Vendetta is now going to be a smash hit and we can finally get to work on the sequel. See who hasn't been horribly murdered and there's still a vendetta to take them out. We're pretty excited to see what the reaction to the film will be - we have a lot of fun directing action and working with these incredible stunt teams.

VENDETTA was the second film you made with WWE Studios (SEE NO EVIL 2 being the first). What made you want to step back into the ring with them?

Jen: Honestly, I'll try anything twice.

Sylvia: It was part of Lionsgate Films' action six-pack which was six action films. We did so well for them on See No Evil 2, they wanted us back. I'm not sure on which side, but someone asked if they wanted to hire girls for their action films and the reply was you've obviously never seen a film by the Soska's before.

Jen & Sylvia Soska with Dean Cain

How on earth did you get Dean Cain to act so mean and angry? And how challenging was it choreographing fights with WWE wrestler Paul ‘Big Show’ Wight?

Jen: Good guys play AMAZING bad guys, just no one ever gives them the opportunity. Dean Cain is such a good man. He's a real life superhero. It's a nice break from reality for him to be a bad guy. Mason isn't really bad and to that point neither is Big Show (Victor Abbott). They're both victims of their circumstances, they're both doing what they feel is the best from some pretty bad options. Paul and Dean both trained so hard for the film. Paul is a literal giant, so we adjusted the action for him. He's lethal.

Sylvia: I've never worked with a team so ready to go and push themselves in a film. That was so important to making this film because we only had 15 days to shoot it & every day there was a coordinated fight sequence for Mason, played by real life Super-man, Dean Cain. He would come to set with this great attitude, look out for everyone, kill it on camera, then head to the gym with the stunt team when we wrapped to get the fight perfect for the next day. I would work with Dean forever if I was so lucky. Paul was also a big surprise as we are huge wrestling fans, so we had been fans of his work for years, but I had no idea what an incredible actor he was. So dedicated and down to earth. When you're the biggest guy in the room, you figure out how to put people at ease, he has this charisma and star quality. He was such a pro with the fights too.

Kimani Smith was our stunt coordinator and Dan Rizzuto was our fight coordinator, and with Vancouver's finest stunt people, they created this very down and dirty prison style of fighting. We had so many stunt actors and actors who could do action in the roles to make sure all the violence was completely amped up.

The film has been described as an “all-male maelstrom of mayhem” and “hell in a cell”. How would you describe it?

Jen: That one summer I spent in an all-male prison, ha ha.

Sylvia: I adore 'All-male maelstrom of mayhem'. I could call it face punch, the movie.

The Soska sisters with wrestler Paul ‘Big Show’ Wight on the set of VENDETTA

VENDETTA heads up Horror Channel’s VENGEANCE SEASON. Have either of you had reason to be particularly vengeful in your lives?

Jen: I work in film. I am blessed to have seen the worst of people as well as the best. Kindness can be mistaken for weakness and people will try to take advantage of you when you have a good heart. I've learned to be guarded, not vengeful. I'm a Catholic. I'll wait on the wrath of God, ha ha.

Sylvia: The best advice regarding vengeance came early in my career from a very successful friend, he said the best revenge is to live a good life. The people who hurt you only win if you sink to their level to destroy them. Just do you. Be kind, treat people with respect & the whole world will open up to you.

You obviously have a great affinity with the wrestling world. Have you ever been tempted to get into the ring yourselves? After all, you are trained in stunt work and the martial arts…

Jen: Is it that obvious? We would love to step into the ring... and not just sneak in when they set up pre show, ha ha. I have a life-long love of wrestling. Working with wrestlers has only increased that love. They are so dedicated and driven. I'd love the opportunity to wrestle ourselves. I have a dream about both Sylv and I training at two different wrestling schools, coming up with gimmicks, everything, without the other knowing, and then coming together to fight each other. That would make a fun reality series.

Sylvia: The only two things I promised my Dad that I wouldn't do that I actually didn't was get a tattoo & become a professional wrestler. That said, we would need next to no motivation to get in the ring. We wanted to wrestle the Bellas, but they are lovely mommies now and the timing never worked out. I feel we would make pretty killer manager types.

When you look back to the days when you were forced to make ‘Dead Hookers In A Trunk’ with your own money, do you still feel you’ve got that independently-spirited drive?

Jen: Absolutely. We are far from having unlimited time and budgets. Vendetta, like all our features, was made in just 15 days. You have to know what you want and be able to roll with the punches. Having an indie spirit always saves the day because your first notion is to come up with creative solutions and not burn money. How do you make an action movie like Vendetta in 15 days? Well, it helps if there are two of you.

Sylvia: I'm so grateful that we spent that money on DHIAT, never made a dime back; my family remortgaged our childhood home to be the first investors in American Mary - so we know the weight of financing probably deeper than a lot of people. We've yet to have the big push on our films, we're still very much auteurs with a very loyal and somewhat niche audience.

How encouraged are you with the current mood to attract more women directors into genre film-making?

Jen: Right now I see a lot of talk and not much action. You see women being hired, but you don't really see them being supported to having an ongoing career. It's more like, great, we hired a women, let's find another one. I don't see established female directors getting as many calls as they should. Genre has always embraced women in front of and behind the camera. I'm happy to see the fans in support. I think a lot more has to change than a few women getting hired here and there but not really being supported to have on going careers, even with the same companies.

Sylvia: I used to be really sexist about it and throw my support behind any woman who wanted to have an opportunity & I found so many times, the people who were reaching out for help weren't the ones who needed it. I think it is important to promote filmmakers of every diverse background so that we can get more perspective and grow in our ability to empathize with lives we would never live, but at the same time, we cannot fill these places with people who have no interest in the arts and are using current political themes for a seat at the table. I used to think it was cruel how comedians made newcomers prove themselves before letting them into the group, now that I've been doing this longer, it seems essential.

Finally, what’s next for you both?

Jen: Finally an original film, our long awaited original monster movie, BOB, which is like FIGHT CLUB meets HARVEY. And we also appeared in Glenn Danzig's new feature, DEATH RIDER IN THE HOUSE OF VAMPIRES which was so much fun to shoot. I can't wait for everyone to see it.

Sylvia: It's been almost ten years since we've made an original film, so making Bob is surreal. There's a project that did not come from us that we are very excited about, hopefully we can announce that soon and it will premiere in the UK!

VENDETTA, which kicks of the VENGEANCE season, is broadcast on Horror Channel, Saturday 4 April at 9pm.

Monday, 16 March 2020

UK premiere of The Soska Sister’s VENDETTA leads Horror Channel VENGEANCE SEASON in April

April is a wicked month on Horror Channel as cops and villains fight it out in the VENGEANCE SEASON, a hard-hitting violent action collection which includes the UK TV premieres of the Soska Sister’s all-male maelstrom of mayhem, VENDETTA, starring Dean Cain and Paul ‘Big Show’ Wight, and the fight-to-the death revenge thriller BLOOD OUT, starring Luke Goss, 50 Cent and Vinnie Jones. Broadcast on Saturday nights at 9pm throughout the month, the season also includes the channel premieres of gritty, bullet-fuelled THE PRINCE, starring Bruce Willis, John Cusack and Jason Patric, and Martin Warren’s THE HEAVY, starring Gary Stretch, Vinnie Jones and Christopher Lee.

Full film details in transmission order:

Saturday 4 April @ 21:00 – VENDETTA (2015) *UK TV Premiere
When his wife is killed by a criminal that he put away, Mason (Dean Cain), a hard-nosed detective, deliberately gets arrested in order to get revenge. While inside, Mason discovers a new criminal enterprise that those behind it would kill to protect.  Pushed beyond his limits Mason will stop at nothing for vengeance.

Saturday 11 April @ 21:00 – THE PRINCE (2014) *Channel Premiere
Bruce Willis, John Cusack and Jason Patric face off in this fast-paced action thriller. A mechanic - and retired assassin - with ties to the underworld is drawn back into the life he gave up when his daughter is kidnapped. To rescue her, he must confront his former rival.

Saturday 18 April @ 21:00 – BLOOD OUT (2011) *UK TV Premiere
When big city detectives refuse to further investigate his kid brother's gang related murder, small town Sheriff Michael Spencer (Luke Goss) drops the badge and goes undercover to find his brother's killer and avenge his death. Also stars Vinnie Jones, Val Kilmer, Curtis “50 Cent” Jackson and Tamer Hassan.

Saturday 25 April @ 21:00 – THE HEAVY (2009) *Channel Premiere
During a routine hit, “Boots” Mason (Gary Stretch) learns a hit has been placed on his own life when a crocked cop, Dunn (Vinnie Jones), tries to kill him. While seeking his revenge, secrets kept hidden are exposed and no innocent bystander is safe as bullets fly. In this world where you can trust no one, all bets are off! Also stars Christopher Lee.

TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138

Sunday, 15 March 2020

Competition: Win Magic on Blu-ray

Magic is released on Blu-ray on March 23rd.

And to celebrate we have a great competition and 2 copies on Blu-ray to give away.

With the continuing popularity of creepy dolls on screen from Hugo to Annabel via the many incarnations of Chucky, we meet one of the original devilish dummies: Fats…the side-kick from hell. Adapted for the big screen by William Goldman from his best-selling book, Magic is directed by Richard Attenborough and arrives on Blu-ray on 23 March 2020.

Corky (Hopkins – The Silence of the Lambs, The Two Popes) is a shy magician who just can’t get a break, but when he introduces foul-mouthed ventriloquist doll, Fats, to his act, his star begins to rise. With the chance of hitting the big time finally on the cards, the pressure starts to get to him. In a panic Corky flees the big city, returning to the security of his hometown. When he reunites with old high school flame Peggy (Ann-Margret – Tommy, Grumpy Old Men), love could be in the air. But Fats doesn’t approve and he’s about to create carnage. Who’s really pulling the strings?

It’s time for some Magic…but beware, the demonic dummy will have you screaming for mummy.

Click here to buy from Amazon (Opens in a new window)

For your chance to win both just answer the question below.

Who directed Magic ?

Send your name, address and of course the answer to

Terms and conditions
1. Closing date 30-03-20
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Wednesday, 4 March 2020

Interview with Heather Slawecki - By David Kempf

Heather Slawecki holds a Bachelor of Arts Degree in English Literature from Widener University. She began her writing career as a feature writer for the Bucks County Courier Times and has spent the last twenty-five years as an award-winning senior copywriter.

On a personal note, Heather is my cousin and we are almost the same age. She's a mere two days older than me. I am very proud of her for finding her voice and writing this trilogy. Our grandfather Harold loved to read novels. I think he would be very proud of her today.
So am I.

When did you first become interested in writing?

I fell in love with writing as a teenager. It was a great outlet for me. I still have my diary from fifth grade. It’s hysterical. I was fortunate to have extremely good English teachers who helped inspire and encourage me. I started out in nursing school but was excelling in my writing and literature classes. I made the decision to change my major to English. It didn’t go over well at first (haha). But I have no regrets and have made my living writing from the minute I graduated from college.

How did you get involved in murder mystery fiction?

It’s a genre that I gravitate toward when reading. I love unraveling a good mystery. The more twists and turns the better.

How did you go about finding a suitable publisher?

By trade, I’m a copywriter and have a plethora of knowledge about marketing and promoting. I have a few friends who tried traditional publishing and found it frustrating. Most first-time authors won’t find an agent, and the rest find themselves doing their share of promoting themselves anyway. So, I did my research and developed a plan for myself—including starting my own publishing company.

Tell us about all the hard work that went into writing a trilogy. 

I never set out to write a trilogy. But when I got to the end of the first book, I knew I had so much more story to tell. So, I kept writing and writing and writing. The struggle came with the third book. It was the hardest because I had to bring everything together and make sure I didn’t disappoint my readers. It’s also the most complex and involved the most research. That took time and meant folding things into the first two books. So, there was constant editing of all three books along the way. A lot of hard work went into 310,000+ words.

What do you see as the primary difference between British and American mystery?

I really enjoy reading both British and American mystery. Ironically, in college, British Lit was my favorite. I do think British novelists have a knack for creating good old-fashioned spooky and ominous settings to go with their plots.

What are your favorite books?

I have a wide range of favorites. Call me extremely unoriginal, but Pride and Prejudice will always be my favorite. When it comes to murder mystery, I love all of Michael Palmer’s work. I’m very intrigued by medical mysteries, probably because of my nursing background.

Michael Crichton was brilliant. I read Jurassic Park in one day. I also enjoy John Grisham and Dan Brown. The Firm and The DaVinci Code are up there on my list!

What are some of your favorite movies?

I’m all over the place on movies. It depends on my mood. If I like a good book, I’ll look for it in theaters. The Hunger Games—Good stuff. I also love to laugh and could watch We’re the Millers and Horrible Bosses once a week. Again, not very original here, but my favorite movie of all is The Sound of Music.

What do you consider your greatest accomplishment as an author?

Knocking out a trilogy all at once!

Do you have any advice for new writers?

Take your time. Do it right. Don’t rush anything, do your homework, and don’t neglect the editing process. Make sure your work is tight. Then do your research and find the right method of publishing for you.

What is your opinion of the new self-publishing trend?

I think it has its ups and downs. The market is saturated with some pretty terrible books because of self-publishing. But thankfully, there are some fabulous self-published authors who have changed the game. Most people no longer turn their noses up if you say you’re self-published. It seems to be more of a personal choice, not an only-option for those who couldn’t find an agent. I never looked for one!

What are your current projects?

I’m knee-deep in promoting the Element Mysteries which are releasing right now. I’ve started another book that is more supernatural. Plus, I have a non-fiction project that will likely publish next year. I’ll have to switch gears from desensitized fiction murder to real life crime. I may actually need an agent for that one! 

Please in your own words write a paragraph about yourself & your work. 

I think some of the tribulations in my life have led me to the most triumphs. My favorite quote is “there is no strength without struggle.” I believe success is a combination of both passion and persistence. You have to be one hundred percent committed and believe in yourself. I’m extremely proud of all the three novels in the Element Mysteries series. I think if you can read and re-read your own work and still love it, that’s what it’s all about. That’s success right there because the whole world is subjective. You have to love what you do and what you create.

Find out more about Heather at

Thursday, 20 February 2020

Horror Channel gets beastly in March with Creature Feature season

Carnivorous sandworms, murderous ant hybrids, a giant snake and deadly creepy spiders...Horror Channel gets beastly this March with a CREATURE-FEATURE SEASON – a monstrous collection of creature carnage, which includes the UK TV premieres of IT CAME FROM THE DESERT, Marko Mäkilaakso’s smart, funny and very creepy homage to Ray Harryhausen, and Micah Gallo’s skin-tingling directorial debut ITSY BITSY, every arachnophobe’s worst nightmare. Broadcast on Friday nights throughout the month, the season also includes the channel premiere of TREMORS, Ron Underwood’s affectionate throwback to 1950s creature features, starring Kevin Bacon, and the star-studded jungle snake nightmare ANACONDA, starring Jon Voight, Owen Wilson, Jennifer Lopez, Ice Cube and Eric Stoltz.

Full film details in transmission order:

Friday 6 March @ 21:00 – TREMORS (1990) *Channel Premiere
Kevin Bacon stars in this revved up monster movie made with an enthusiastic nod to classic 1950s monster flicks. Two handymen must battle giant carnivorous sandworms that threaten their small Nevada town. The eccentric and resilient townspeople must do everything in their powers to survive this new menacing species.

Friday 13 March @ 21:00 – ITSY BITSY (2018) *UK TV Premiere
Kara (Elizabeth Roberts), a single mother struggling to raise two children in New York City, receives a job offer to work as a private nurse in the mid-West. At first things seem normal enough, but what Kara doesn’t know is that doom preceded their arrival in the form of a mysterious ancient relic. And, if her family are to survive the horrific nightmare now lurking in the shadows, they will need to confront their deepest fears and personal demons.

Friday 20 March @ 21:00 – IT CAME FROM THE DESERT (2012) *UK TV Premiere
Inspired by Cinemaware’s cult 1980s video game, itself motivated by the giant creature feature craze infesting 1950s Hollywood. Get ready for the pulp action horror mutant monster movie of the year, involving rival motocross heroes and cocooned heroines, out-of-control kegger parties in the New Mexico desert, crashed meteors from outer space, secret underground labyrinth military bases and epic havoc caused by massive spider/ant hybrids!

Friday 27 March @ 21:00 – ANACONDA (1997)
A documentary film crew led by anthropologist Steven Cale (Eric Stoltz) and director Terri Flores (Jennifer Lopez) enters the mysterious world of the Amazon in search of the legendary Shirishama Indians. But when they meet Paul Sarone (Jon Voight), who is on his own dark quest to track a lethal 40-foot Anaconda, the expedition becomes a jungle nightmare and they must use every primal resource just to stay alive.

Horror Channel: Be Afraid
TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138

Tuesday, 18 February 2020

Interview with Tyler Cornack

Ahead of the UK premiere of BUTT BOY at Arrow Video FrightFest Glasgow 2020, director Tyler Cornack reflects on Fincher-esque cat & mouse games, creating a ‘colon cave’ and taking anal retention to a whole new level…

Is it true that BUTT BOY started life as a sketch on your Tiny Cinema comedy channel?

Yes, it started out as a very simple sketch about a man who goes to the doctor to get a prostate exam, and begins to get addicted to the feeling. It was always one of our favorite sketches because we found an interesting horror-esque tone. We also realized eluding objects with just a blank stare is just a joke where the punchline can grow through visuals. The first twelve minutes of the film is a very similar rhythm and tone to the original sketch.

For those who have yet to see it, how would you describe the film?

I understood from the beginning of writing the screenplay with Ryan that the movie was going to be very hard to explain to people. But I feel that I am getting better at it. Here goes nothing:

It’s a classic cat and mouse thriller but centered around a joke. The entire film takes one little joke and then plays it as straight as an arrow. It never apologizes or backs out of the bit.  A man is stuck in a redundant and stale lifestyle, he goes to get a rectal exam and his whole life changes. He becomes addicted to putting things up his butt. Objects turn into animals, and animals turn into children, children turn into adults. As the things get bigger his Butt gets stronger. A detective who is also dealing with his own addiction comes along and begins to put the pieces together.  It’s sort of our weird messed up version of a comic book movie. A Fincher- esque cat and mouse game, with a little Pinch of Butt.

You play the title role of the Chip, who takes ‘anal retentiveness’ to a whole new level. Was that a tough decision to make, given the challenges you faced?

I acted in the original comedy sketch so I think it was organic for us to write it around that. I don’t love acting nearly as much as directing. However, I really enjoy making people laugh and the choice came very organically. To be honest I barely remember acting in the film. I was thinking so much about the edit in my head and getting everything right logistically. I think it actually worked well though because he’s sort of this guy stuck in his own head.  I don’t think I will ever write a large role for myself ever again, but I’m really glad I got to do it in this movie.

The tone of the film is very interesting.  The central premise feels like a playful joke but everyone plays it dead straight. How did you achieve that fine balance between satire and gritty realism?

As I said before, the original sketch really made tone easy to build upon. But we wanted to make something new that you haven’t seen. Something you will walk away from and kind of be like what the hell did I just experience?  But also have pulpy movie tropes and homages you have seen before. As far as the balance goes  with the comedy, we cut many scenes out because they felt too funny. It took you out of the story. I always say it’s like the opposite of “Airplane”. In Airplane the characters are in a very serious situation of a plane going down but the movie is filled with jokes. In Butt Boy, the situation is the joke, but it’s played very seriously. It’s like listening to a good Norm Macdonald joke, and I truly think we deliver with the punch line in the end.

Tyler Rice is magnificent as the investigating police officer. How did you cast him?

He is one of my favorite actors in Los Angeles. Since the moment I met him I have been trying to write things for him. We met years ago when I was casting for a short film. He’s a pretty serious actor that I love to see in comedy stuff. It cracks me up how into it he gets if that makes sense? I love seeing him on screen. He’s got one of those faces that belongs in movies. He’s a super hard worker and puts 110 percent into everything he does, and what director wouldn’t want that from an actor?

Addiction is at the heart of the story. Were there any real-like experiences that you drew upon?

Not to sound like a pretentious nightmare, but I think we all have addictions. Luckily, I personally haven’t had any that are toxic enough to ruin my life. But I have had and continue to have people in my life that struggle with substance and stuff. You take things from personal experience and from others around you I think.

Where did you shoot the ‘Colon Cave’ and why did you decide to go down a fantastical route?

We shot that over near Beachwood Canyon at the Bronson Bat Caves. I spent years hiking and brain storming up there. It was the cave from the old Batman series with Adam West. Shooting there was the most grueling but by far my favorite part of the shoot. It was 115 degrees in the dead of summer. We would shoot until five am. All the sweat you see is real. It was super intense and exhausting but I think it was the best time of my life. It felt so magical to me. We knew from the beginning we had to take it there in the story. It’s a slow build into this huge thing. I always love third acts that take it there…

Were you ever tempted, or put under pressure to change the title?

Many people definitely told us too, but it was always the kind of people that love to hear the sound of their own voice. They give opinions based on zero experience or fear of something being different or out they’re comfort zone.  It’s been nothing but good for us so far and has created nothing but attention and discussion for the film. We love it.

What do you hope audiences will take away from the film – apart from inspiration for some new Butt jokes!

We hope that people walk away feeling that they saw something that they have never seen before. We never set out to make something predictable. We wanted to hit new territory and we hope viewers can see that. We want people to think it’s ridiculous because it is. We want you to laugh, and enjoy our little weird ride.

Finally, what’s next for you?

I am currently finishing up two more screenplays and we are about to shoot a TV pilot based on our comedy channel ‘Tiny Cinema’ on Instagram. It’s sort of little extensions of what we did with the movie but with different jokes.

BUTT BOY is showing at the Glasgow Film Theatre on Saturday 7 March, 6.30pm, as part of Arrow Video FrightFest Glasgow 2020


Tuesday, 11 February 2020

Interview with Julien Seri

It has been five years since NIGHT FARE premiered  at FrightFest London, what have you been up to since then?

I worked on two, very singular, projects as a producer and/or director. I signed for both with Wild Bunch, but we’ve failed to produce them yet. So I keep fighting. And I did a lot of commercials, TV series and music videos.

When did you first hear about the ANDERSON FALLS script and why did you think it was perfect for you to direct?

I received the script late 2017. I read it and said ‘yes’ in the same day. It was a perfect American experience for me because it was low budget, so not a lot of stress, and another type of movie for me - a slow burner and not an action thriller. I felt that I needed to test myself on this movie.

We are well acquainted with writer/producer Giles Daoust (RADIUS, STARRY EYES, HOSTILE, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT). Did you know him prior to ANDERSON FALLS?

We met through Facebook because he co-produced Hostile with two friends of mine who were co-producers on Night Fare. He saw Night Fare, was pretty impressed with the result, so he send me the script.

You have an amazing cast in ANDERSON FALLS – Gary Cole, Shawn Ashmore, Lin Shaye etc. – how easy was it to assemble?

Gary Cole saw Night Fare on Netflix US. He was the first one to respond. He said that he loved the poetical violence of the film. Then Shawn Ashmore saw it too. I had a conference/video call with Shawn. We connected instantly. Jessica Sherman was our casting director. She did a great job. Lin Shay, Daniella Alonso, Sonya Walger, Vahina Giocante, Richard Harmon, Stefania Spampinato, Judah Mackey. I was very lucky to work with this great cast for my first experience in the US.

Where did you film and for how long?

We prepped the film for two and a half weeks in July 2017, and we shot it in eighteen days in Los Angeles in August the same year. It was a hot and a very fast shoot.

(Shawn Ashmore in ANDERSON FALLS)

Any major problems during production or funny stories you can share?

The prep was really short and the shooting schedule very tight, but I had a lot of fun on the set. It was a blast. I decided to use this tight schedule as an advantage and to shoot no coverage for the edit room. I shot a fight scene (1’30”) in one long shot. Shawn was very excited with the idea, the stunt coordinator too. But some people on the crew were convinced that we wouldn’t be able to make it. Of course we did it. We shot it in one hour. Eight takes.

What would you say the hardest part about making ANDERSON FALLS was?

Post production was the most painful part for me. In France, the director is creatively the man in charge. He needs to work closely with his producer, but the film is his vision. With Anderson Falls, I knew from the start that it would be a possibility to have a completely different cut than mine, but I thought on the set, that I did enough to protect myself from that. I was wrong. Only the work with our composer, Sacha Chaban, was creatively fantastic.

How important are festivals to your work?

FrightFest was the first festival to respond to Night Fare with such positivity at the Cannes film festival in 2015. With those kind of indie movies, festivals are very important to make the films known worldwide. So I’m really excited to come back and to feel that FrightFest spirit again.

You have roughly six projects on the go at the moment. What can you tell us about your future plans and films?

I need to stay active and to express myself with a camera more than once every two or three years.

I have another American movie for late 2020 or 2021, Blank written by Jeremy Drysdale and produced by Sentient Pictures and Pierre Morel (Taken, Gunman). It’s an incredible action movie that we want to shoot in Asia. There’s also a Canadian thriller called Finding The Right Child at the casting stage.

And I will go back to the indie mood of Night Fare with one of my scripts - All We Have Left. I need to shoot a very personal story with my unique vision from time to time. My heart and mind need that. I also have a great project with Elodie Yung (Netflix’s Daredevil, The Hitman’s Bodyguard, Gods of Egypt) and Xavier Laurent (The Kid is not my Son). As a director I can shoot one or two films every year. That’s why I fell in love with commercials and now television too. You can stay active and continue to learn every month.

ANDERSON FALLS is showing at the Glasgow Film Theatre on Saturday 7 March, 11.00am, as part of Arrow Video FrightFest Glasgow 2020


Tuesday, 4 February 2020

Interview with director Adam Stovall

Ahead of the World premiere of A GHOST WAITS at Arrow Video FrightFest Glasgow 2020, director Adam Stovall reflects on getting through depression,  creating paranormal romance and the influence of Tom Waits…

You have an interesting CV – from comedy theatre and film journalism to writing for The Hollywood Reporter and second assistant directing. Was all this a game plan to becoming a fully-fledged director?

I’ve known since I was a little kid sitting in the basement watching the network TV premiere of Back To The Future while holding my Back To The Future storybook and waiting for them to premiere the first footage from Back To The Future 2 during a commercial break that movies meant more to me than they did to those around me. And that’s not a low bar - my Dad worked as a projectionist all through his college years, and my Mom takes my Aunt to see at least one movie a week. I remember seeing Pulp Fiction in the autumn of 1994 and suddenly realizing that a) cinema is far more elastic than I had previously thought, and b) it helped the world make sense in a way nothing else could. That was when I knew this was my path.

But I grew up in Northern Kentucky, which felt like the furthest you could possibly get from Hollywood. I spent my 20s trying to do anything else and be happy, to no avail. Towards the end of my 20s, I was mired in a severe depression, getting wine drunk and writing scripts on the weekends. Then, my dog died, and it put into stark relief just how alone I was. So I sold as much of my stuff as I could and moved the rest to L.A. so I could pursue film.

Quickly I had the thought that I’d feel pretty stupid if I moved 2000 miles and just sat in my room, so I started volunteering in the Creative Screenwriting screening series. After eight months of that, I wrote for a magazine, which closed down, then a friend asked me to work on his movie. I was not supposed to be the 2nd AD, but they ended up with a budget far smaller than they thought they’d get, so as people left the production for higher-paying gigs, I kept getting promoted. It was an incredible experience, though, and the best education I could have asked for in terms of no-budget filmmaking. It clarified for me where money needed to go, and where money went out of habit.

So yeah, that’s a game plan…

Did the story of A GHOST WAITS come as a sudden flash; were you inspired by the likes of GHOST and BEETLEJUICE?

The idea for A Ghost Waits came from a video game and a web comic. I am not a gamer, but I was visiting some friends and they told me I needed to play a game called P.T. which was designed by Guillermo Del Toro and Hideo Kojima. It’s a first person puzzle game where you have to walk through an L-shaped hallway in a haunted house, doing specific things in time in order to open the door at the end of the hallway, which then puts you back at the beginning of the hallway.

Adam Stovall

At some point, it occurred to me that there might be a movie in someone like me having to deal with a haunted house. While I was working on that, I saw a Saturday Morning Breakfast Cereal comic where a man asks a woman what she thinks is the most American film. She answers, “Ghostbusters,” and he asks why. She explains that people get demonstrable proof of an afterlife, but the whole thing is about growing a small business and navigating government bureaucracy. I thought, “That’s hilarious, and also I want to see that movie.” So I wrote it!

How long was the development process and where did you obtain financing?

Development on A Ghost Waits moved irresponsibly fast, haha. I had the idea in November 2015, and we shot in August 2016. Normally I have all the time in the world to write, since nobody cares about a spec script being written by a no-name, so the process of writing with so many eyes on me was equally exciting and daunting. Fun fact: I usually name characters and title the piece late in the process, but I wasn’t able to do that here since we needed to create documents for casting and whatnot. So I went home, opened up my Tom Waits discography, and named every character after a Tom Waits song. And then named the movie after him, because he is one of my creative north stars…

MacLeod and I had spent the previous year trying to get another movie made, but just weren’t able to raise enough money. One of the investors we met in that time remained very excited to make something, so when I had the idea for A Ghost Waits he immediately said he’d invest half the production budget. My Mom had told me to let her know when we had a firm budget number, so once we had half the budget, she invested the other half. That covered principal photography, and then MacLeod and I put in our own money to cover pickups and post-production.

How do you describe the movie, a supernatural comedy, a paranormal romance, what?

I’ve been referring to it as a haunted house love story, but paranormal romance is good - maybe I’ll start using that!

MacLeod Andrews & Natalie Walker in A GHOST WAITS

Was the choice to shoot in black-and-white more an artistic or budgetary consideration?

A bit of both, to be honest. I love the B&W aesthetic, so it was always a possibility in my mind, I mentioned my idea to my UPM during prep while we were on a location scout, and she told me not to do that. We shot in color with the intention of staying that way, but we also shot with two different cameras, the Blackmagic Ursa Mini and the Blackmagic Pocket Cinema, which yielded slightly different looks. I drove myself crazy trying to match the images in color-correction, and one day MacLeod said, “Have you thought about just making it B&W?” Because MacLeod is the best person ever. Once we put a B&W LUT on it, it felt right, tonally and aesthetically. Would we have gone with B&W even if we had more money? Who knows! Just another possibility for the pile…

When did you first meet MacLeod Andrews? He says you’ve wanted to make something together for years? So did you write the part of Jack with him in mind?

MacLeod and I met on the set of a film called Split, a bowling rom-com, which filmed in Louisville, KY. I met the filmmaker on a panel, and he asked if I’d be down to come work on his movie. MacLeod is a native of Louisville, and had worked with one of the producers on the film before. We instantly hit it off, and I was struck by his obvious talent and charisma so I sent him a script I’d recently written. He dug it, and we decided we wanted to work together.

I absolutely wrote the part of Jack for MacLeod. To the extent that if he’d said no, the movie would not exist. Fortunately our brains function on similarly weird frequencies, so we’re usually intrigued and excited by similar ideas.

What about Natalie Walker? How did you come to cast her as Muriel?

I’d been following Natalie on Twitter for a while, and was impressed by her humor and brilliance. I had a feeling that casting her in a role that demanded she sublimate her energy would yield a similar result as when Robin Williams was asked to do the same for dramatic roles. I emailed and told her about the project, and offered to send over the script so she could check it out and see if it interested her. She responded that she was very interested, so we talked and she did a self-tape, which was perfect. We hopped on FaceTime and I offered her the role.

The chemistry between MacLeod and Natalie is wonderful. Was that instant or did it need nurturing?

Instant! We never even had a table read, much less any rehearsals, so the first time they met was on set. Since we had such a small crew, I was always doing a multitude of jobs, which limited how much time I was able to spend with them. A lot of their dynamic is due to the work they did on their own. It is my profound hope that the three of us are able to work together again.

Where did you film and for how long?

We filmed in Cincinnati, OH, and Lakeside Park, KY. Principle photography was 12 days in August 2016, and then we did the first set of pickups over four days in April 2017 and the last set over a week in February 2018.

What does having the World Premiere at FrightFest Glasgow mean to you?

Cesar A. Cruz once said, “Art should comfort the disturbed and disturb the comfortable.” At my lowest, movies have made me feel less alone, and I wanted to make something that could do that for someone else. We made a small, personal, weird film, and it means the absolute world to know it means something to others and is finding its place in the world. Absolutely thrilled FrightFest get to show it first”.

Finally, what’s next for you?

We're working with a couple producers on two films, which we're obviously hoping to make soon. One is an existential horror drama, and the other is a coming-of-age comedy-drama. In the meantime, just writing a few things and hoping for the best.

A GHOST WAITS is showing at the Glasgow Film Theatre on Friday 6 March, 8.40pm, as part of Arrow Video FrightFest Glasgow 2020


Monday, 3 February 2020

Competition: Win Under The Shadow on Blu-ray

Under The Shadow is released on Blu-ray on February 10th.

And to celebrate we have a great competition and 2 copies on Blu-ray to give away.

In 1988 Tehran, Shideh's attempts to rejoin medical school are thwarted as a consequence of her politically active history. Her husband is sent off to serve in the Iran-Iraq War while Iraqi air raids draw perilously close to their own apartment. As neighbours and friends flee from a city in chaos she is left alone with her daughter Dorsa who becomes increasingly ill and seemingly disturbed. Shideh initially dismisses her tantrums over a missing doll but is soon terrified they've been targeted by a djinn - a malevolent spirit that steals from those it seeks to possess.


Click here to buy from Amazon (Opens in a new window)

For your chance to win both just answer the question below.


Terms and conditions
1. Closing date 17-02-20
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Thursday, 16 January 2020

Arrow Video FrightFest announces Glasgow Film Festival 2020 line-up

Welcome to the transgressive, the traumatic and the terrifying as Arrow Video FrightFest, the UK’s favourite horror fantasy event, returns to Glasgow Film Festival for a 15th fantastic year, from Thursday 5 March to Saturday 7 March, 2020.

Thirteen is lucky for some as that’s the number of new films being presented at the iconic Glasgow Film Theatre, embracing the latest genre discoveries from around the globe, spanning four continents, including one world, two European and seven UK  premieres.

Alan Jones, FrightFest co-director, commented: “Welcome to another banner FrightFest and another invitation to explore the horror fantasy genre’s fertile harvest bursting with creativity, imagination and difference in a world that often seems hostile to all three. So enjoy FrightFest Glasgow 2020: 13 new films from around the world guaranteed to offer a much-needed cinematic sanctuary”.

Hold on to your seats for the altered state sci-fi fantasy journey of your life! In a special Thursday night presentation, FrightFest reveals an exclusive brand new cut of co-directors Justin Benson and Aaron Moorhead’s latest ethereal, existential mindbender SYNCHRONIC, starring Jamie Dornan and Anthony Mackie. Justin and Aaron plan to attend.

This is followed by the riveting horror mockumentary DEATH OF A VLOGGER, which comes home to Scotland following its hugely successful FrightFest August 2019 ‘First Blood’ debut. The director, Graham Hughes, and the cast will be attending – no doubt filming their every move…

Streaming a live exorcism? What could possibly go wrong? Friday kicks off with the UK Premiere of THE CLEANSING HOUR, a gory, scary and hugely entertaining horror comedy, directed by Damien LeVeck, where tech entrepreneurs meet evil head on. Then we have the European premiere of IN THE QUARRY, Uruguayan filmmakers Bernardo and Rafael Antonaccio’s penetrating look at gender roles and expectations is a tense and dynamic riff on the naturalistic heart-of-darkness genre.

Next up is the UK premiere of tense sci-horror thriller SEA FEVER, by award-winning Irish television director Neasa Hardiman. Connie Nielsen and Dougray Scott star as part of a marooned trawler crew struggling with a mysterious water-borne parasite.

The 8.45pm presentation is the World premiere of first-time director Adam Stovall’s remarkable comedy romance A GHOST WAITS. With hints of BEETLEJUICE and GHOST, it features a brilliant performance from MacLeod Andrews, star of THEY LOOK LIKE PEOPLE and THE SIREN. Adam and some of the crew will be there to introduce his film.

Rounding off the evening with an irresistible riff of humour, terror and squirm-inducing violence is the UK premiere of Ryan Spindell’s THE MORTUARY COLLECTION. With fabulous production design and a vibrant variety of tones, this wild ride completely pulls the rug out from under the audience.

Saturday's programme is a killer and the first film, ANDERSON FALLS, features director Julien Seri's high-tone brand of seat-edged thrills, starring Gary Cole and Scream Queen supreme Lin Shaye. Next, get ready for a dead funny zombie apocalypse as Living Dead lore explodes in a fun riff on the genre. The often hilarious ZOMBIE FOR SALE borrows from the best but South Korean director, Lee Min-Jae, making his film feature debut, adds his own startling twists to the beloved formula.

This is followed by the Scottish premiere of SAINT MAUD, a blistering debut from writer/director Rose Glass and a divine dive into obsession, isolation and urban deprivation, featuring a star-making performance from Morfydd Clark as the heartbreakingly conflicted Maud. Rose will be in attendance, alongside several of the producers.

The evening programme bursts into action with the European premiere of BUTT BOY, a surreal, bizarre and utterly unique viewing experience, in which a detective has to get to the bottom (literally) of a series of suspected murders. Directed by Tyler Cornack, imagine the indie lovechild of Quentin Dupieux and John Waters.

Next up is the UK premiere of VFW, directed by FrightFest Glasgow favourite Joe Begos. This break-neck action blood-blaster, pitching Vietnam vets against an army of punk mutants, is every bit as gobsmacking as his recent BLISS. Joe will be joining us.

This year’s feast of ferocious frights ends with the UK premiere of A NIGHT OF HORROR: NIGHTMARE RADIO, an anthology constructed by noted Argentinian duo Nicolas and Luciano Onetti (Francesca and Abrakadabra), who’ve assembled an impressive line-up of recent festival-touring horror shorts to deliver a refreshingly unique new kind of shock omnibus.

In addition, there are two fabulous shorts; Gustav Egerstedt’s LIVE FOREVER, a brilliant musical tribute to all the poor victims in horror films that didn't make it to the sequel, and BLEED, the latest from the talented Femme Collective – an anthology of six micro-shorts from emerging female directors which explore the horror of being a modern woman.

Plus, let’s not forget the great giveaways, surprise clips and Q & As!

FrightFest Weekend Passes are £75 and available from noon on Mon 20 January, 2020.  Passes will be exchanged for admission wristbands, which must be worn at all times to access all FrightFest films on Fri 6 March and Sat 7 March ONLY.

Tickets for SYNCHRONIC and DEATH OF A VLOGGER, plus individual tickets for the Fri/Sat films are on sale Mon 3 February, from noon. Price: £11.50. £9.30 concessions

How to Buy Tickets


Telephone: 0141 332 6535 (£1.50 fee per transaction, voice-mail available during peak business periods.

In person: Glasgow Film Theatre, 12 Rose Street, Glasgow G3 6RB during normal box office hours – Friday & Sunday to Thursday from 12:00 to 15 Minutes after the last performance starts. Saturday from 11am to 15 minutes after the last performance starts.

Booking opens Monday 3 February at 12:00

Online booking closes 15 minutes before the advertised start time.

All performances will start at the advertised start time. Late ticket-holders will not be admitted.

Programme details

THURS 5 MARCH – GFT Screen 1

20:30 SYNCHRONIC (UK Premiere)
Directors: Justin Benson & Aaron Moorhead. Cast: Anthony Mackie, Jamie Dornan, Ally Ioannides. USA 2019. 100 mins. 18. Signature Entertainment.

Synopsis: Two New Orleans paramedics' lives are ripped apart after encountering a series of horrific deaths linked to a new designer drug with bizarre, otherworldly effects. So prepare to be re-dazzled by the brilliant auteurs of THE ENDLESS, SPRING and RESOLUTION inventively playing with time and space again, continuing to add layers of exhilarating ambition and stimulating creativity to their unique cinematic universe.

23:00 DEATH OF A VLOGGER (Scottish Premiere)
Director: Graham Hughes. Cast: Graham Hughes, Annabel Logan, Paddy Kondracki. UK 2019. 88 mins. 18. Enlightened Monster Productions.

Synopsis: A vlogger gains viral fame after one of his eerie videos contains an alleged out-of-this-world haunting. Following YouTuber Graham as he investigates the darker supernatural side of the web and dealing with the effects of being famous on the internet, this trip down a hellish rabbit hole includes interviews, cat videos, ripped YouTube content, fun nonsense, archive material, tension and unusual scares.

FRI 6 MARCH – GFT Screen 1

Director: Damien LeVeck. Cast: Ryan Guzman, Kyle Gallner, Alix Angelis. USA 2019. 94 mins. 18. Shudder.

Synopsis: Best friends and millennial entrepreneurs Max and Drew run a popular webcast that streams live exorcisms. Of course they are all staged with terrific special effects but today, fate has a big twist in store. The actress hired to fake being possessed actually does become possessed by a real demon. Worse, the victim is Drew’s real girlfriend, Lane. Together the dumbstruck duo must work against the show clock to figure out the demon’s sinister motive, while the devilish succubus exposes the trio’s dark secrets before a rapidly growing global audience.

15:45 IN THE QUARRY (European Premiere)
Directors: Bernardo & Rafael Antonaccio. Cast: Paula Silva, Rafael Beltrán, Augusto Gordillo, Luis Pazos. Uruguay 2018. 82 mins. 18. Salco Films.

Synopsis: Excited to introduce her new boyfriend Bruno to her best friends, Alicia organizes a sun-drenched barbecue and swimming party at an abandoned quarry near her hometown they used to frequent as children. At first, it’s all good times, but as the day progresses, secrets are revealed, macho bravado and jealousy appears and bonds are broken. And soon an act of brutality unleashes everyone’s true natures.

18:15 SEA FEVER (UK Premiere)
Director: Neasa Hardiman. Cast: Hermione Corfield, Dougray Scott, Connie Nielsen. Ireland/Sweden/Belgium 2019. 91 mins. 18. Signature Films.

Synopsis: For marine biology student Siobhan, it was supposed to be a research excursion with a trawler crew fishing the West Irish seas. But when they hit an unseen object and become marooned, a mysterious parasite infects their water supply. Soon the oozing force infiltrates the entire vessel and turns Siobhan’s journey into a claustrophobic fight for survival.

20:45 A GHOST WAITS (World Premiere)
Director: Adam Stovall. Cast: MacLeod Andrews, Natalie Walker, Sydney Vollmer. USA 2020. 79 mins. 18. Plum St. Productions and Rebecca Fims.

Synopsis: Jack's job is to fix up the house. Spectral agent Muriel's eternal task is to haunt it. They should be enemies, but they become fascinated by one another and eventually smitten, leading them to question everything about their work, lives, and decisions. But as pressure mounts for them to fulfill their duties, something’s got to give for them to have the time together they both so desperately want.

Director: Ryan Spindell. Cast: Clancy Brown, Caitlin Custer, Christine Kilmer. USA 2019. 108 mins. 18. Trapdoor Pictures.

Synopsis: Sam inquires about a ‘Help Wanted’ sign outside a funeral home and in her interview with owner Montgomery Dark, four gruesomely disturbing stories are told. Moving chronologically from the 1950s to the 80s, a housewife finds a mysterious presence in her bathroom, a college boy gets a taste of his own fraternizing medicine, a husband makes tough decisions about his wife and babysitters are murdered by a homicidal maniac.

SAT 7 MARCH – GFT Screen 1

Director: Julien Seri. Cast: Shawn Ashmore, Gary Cole, Lin Shaye. Belgium 2019. 84 mins. 18. WTF Films.

Synopsis: After his wife's sudden suicide, Detective Jeff Anderson (Shawn Ashmore from the X-MEN franchise) becomes convinced that she has really been murdered. Obsessed with his ongoing investigations, he finds out that she was indeed the victim of a heinous crime. And although no one believes what he’s uncovered, Jeff knows he’ll have to break all the rules and go to horrendous extremes to stop the slaughter of other women.

13:15 ZOMBIE FOR SALE (Scottish Premiere)
Director: Lee Min-Jae. Cast: Jae-yeong Jeong, Ga-ram Jung, Nam-gil Kim. South Korea 2019. 112 mins. 18. Arrow Films.

Synopsis: Korea’s biggest pharmaceutical company conducts illegal experiments on humans. One test goes wrong and creates a sexy zombie who escapes and winds up with the crazy Park family, owners of a country gas station. But when the head of the household is bitten, it restores his youth, so they monetise Zzong- bie’s powers to help their struggling business. Events take a grisly turn for the worse…

15:45 SAINT MAUD (Scottish Premiere)
Director: Rose Glass. Cast: Morfydd Clark, Jennifer Ehle, Lily Frazer. UK 2019. 83 mins. 18. Studio Canal.

Synopsis: Recently Born Again, Maud is a young Scarborough nurse, visibly disintegrating both mentally and emotionally as she strives for religious salvation from the demons plaguing her. Put in charge of caring for hedonistic dancer Amanda, now in the late stages of a terminal illness, Maud believes redemption is at hand. For if Maud can rescue Amanda’s soul then surely she can save herself?

18:30 BUTT BOY (European Premiere)
Director: Tyler Cornack. Cast: Tyler Cornack, Tyler Rice, Shelby Dash. USA 2019. 100 mins. 18. Tiny Cinema.

Synopsis: Middle-aged Chip Gutchell is bored and miserable with his life, until he has a prostate examination and his whole world changes. For he becomes obsessed with putting anything and everything up his butt including living things. Newly sober Detective Russell Fox suspects his AA sponsor is sporting another supernatural dimension in his rear end but even he has no idea the insanity that awaits when he dives into his investigation headfirst.

21:00 VFW (UK Premiere)
Director: Joe Begos. Cast: Stephen Lang, Martin Kove, William Sadler. USA 2019. 92 mins. 18. Movie Partnership.

Synopsis: Set in the near future, where a designer drug is causing devastation, death and destruction reign supreme. Caught in a deal that goes horrifyingly wrong, innocent Lizard flees to a local VFW post where war veterans begin the ferocious fight with a deranged drug dealer and his relentless army of punk mutants. These Vietnam vets have been to hell and back but tonight will be the longest night of their lives.

Directors: Luciano & Nicolás Onetti, Sergio Morcillo, Joshua Long, Jason Bognacki, Adam O´Brien, Matt Richards, A.J. Briones, Pablo S. Pastor & Oliver Park. Cast: Clara Kovacic, James Wright, Kera Obryon. Argentina/New Zealand 2019. 100 mins. 18. Black Mandala.

Synopsis: As the host of a popular horror-themed radio show, disc jockey Rod Wilson shares tales of terror with his eager listeners. But tonight the announcer begins to receive strange calls from a child who desperately asks for help. At first he thinks it’s a bad joke until he discovers the calls hide a dark secret…

For full programme details:

Tuesday, 14 January 2020

Horror Channel marks February weekends with eight action-packed premieres

Killer parties, virtual dinosaurs, zombie flesh-eaters and Milla Jovovich in top form…Horror Channel makes February an action-packed month with eight premieres, including the UK TV premiere of Matty Beckerman’s savage sorority slasher THE ROW and the channel premieres of Simeon Halligan’s neon-drenched Mancunian horror thriller HABIT, starring Elliot James Langridge, Roxanne Pallett and Jessica Barden. Plus there’s the eerie psychological thriller CAN’T COME OUT TO PLAY, directed by John McNaughton (Henry: Portrait of a Serial Killer), starring Samantha Morton, Michael Shannon and Peter Fonda.

There are also Channel premieres for the 2019 version of CABIN FEVER, a remake of Eil Roth's 2002 film and written by him; Scott Derrickson’s supernatural chiller DELIVER US FROM EVIL, starring Eric Bana, futuristic survivalist thriller THE JURASIC GAMES, fiery revenge horror THE BURNING and Milla Jovovich is back in RESIDENT EVIL: EXTINCTION, the third chapter of the hugely successful Resident Evil franchise.

Full film details in transmission order:.

Fri 7 Feb @ 21:00 – CABIN FEVER (2016) *Channel Premiere

A forest-dwelling hermit discovers his dog has died from a mysterious illness and gets sprayed by its infected blood. Meanwhile, five young friends, fresh out of college, have rented a cabin in the same woods for a week-long vacation. It’s not long before the group have to face the horrors of a flesh-eating virus …

Sat 8 Feb @ 21:00 – CAN’T COME OUT TO PLAY (2013) * Channel premiere

Samantha Morton and Michael Shannon play married medical professionals Katharine and Richard who keep their sick son Andy isolated from the outside world in their remote countryside house. When young Maryann moves in with her grandparents close by, her attempts to befriend the clearly lonely Andy are met with vehement resistance. But Maryann finds more inventive ways to circumvent their watchful eyes until one day she is forced to hide in the house and discovers the basement. There she finds a terrible secret… but even then can’t imagine the shocking truth behind it.

Fri 14 Feb @ 22:50 – HABIT (2017) *Channel Premiere

Michael (Elliot James Langridge), jobless and down on his luck, is irresistibly drawn into Manchester’s seedy underworld. After getting a job as a doorman at Cloud 9 massage parlour, he is lured into a secret subculture and groomed by his new ‘family’, who have a dark secret; a bloody addiction that they intend Michael to share.

Sat 15 Feb @ 21:00 – DELIVER US FROM EVIL (2014) *Channel Premiere

New York police officer Ralph Sarchie (Eric Bana), who is struggling with personal issues, begins investigating a series of disturbing and inexplicable crimes.  He joins forces with an unconventional priest (Edgar Ramírez), schooled in the rituals of exorcism, to combat the frightening and demonic possessions that are terrorising their city.

Fri 21 Feb @ 21:00 – THE JURASSIC GAMES (2018) *Channel Premiere

Every year, ten of the world’s most dangerous criminals are chosen to compete for their freedom in The Jurassic Games, a virtual reality television show where contestants must survive in a world full of velociraptors, t-rex's and other ferocious dinosaurs. Die in the game, and you die in real life.

Sat 22 Feb @ 22:35 – THE BURNING (1981) *Channel Premiere

At summer camp, some teenagers pull a prank on the camp's caretaker, Cropsy (Lou David). But the joke goes terribly wrong, and the teens leave Cropsy for dead after setting him on fire. A few years later, the burned and disfigured caretaker returns to camp equipped with his trusty shears, ready to unleash his particular brand of vengeance…

Fri 28 Feb @ 22:50 – THE ROW (2018) *UK TV Premiere

The anxiety of rush week turns into sheer terror when sisters of a sorority are slain—and turned into dolls— by a serial killer. New pledge Riley (Lala Kent) and her best friend Becks (Mia Frampton) must endure late-night hazing rituals as the murderer watches and waits. Can she uncover the terrible secret shared by parents before becoming a victim herself?

Sat 29 Feb @ 21:00 – RESIDENT EVIL: EXTINCTION (2007) *Channel Premiere

Survivors of the Raccoon City catastrophe travel across the Nevada desert, hoping to make it to Alaska. Alice (Milla Jovovich) joins the caravan and their fight against the evil Umbrella Corp and their plan to replace humankind with a race of undead clones.

Horror Channel: Be Afraid
TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138