Monday 30 September 2024
COMPETITION: Win The Walking Dead: Dead City Season 1 on Blu-ray
Thursday 26 September 2024
Interview with Howard J. Ford
Ahead of the Digital release of Howard J Ford’s ESCAPE on September 30 and DARKGAME on Oct 23, the UK’s busiest indie filmmaker reveals his love of exotic locations, the demands and why he secretly wants to run a coffee shop.
Your 10th feature, ESCAPE, coming out on Sept 30, is a female led kidnap revenge thriller, with hints of 70’s exploitation. Did you have fun making it?
Well I wanted Escape to be an absolute blast in every respect as it marked my 10th film out the gate; Sexy - horrific – nail biting – thrilling - and believe it or not, I even fancied a bit of humour! But ultimately it’s about these women in a horrific situation, taking power and fighting back! I absolutely intended to have fun doing it too – the location recce’s were super fun and I had a lovely little team and I believe they had a good laugh – I can’t remember half of it, I was in a bit of a filmy bubble at the time!
Ed Westwick and Howard Ford on the set of Darkgame |
DARKGAME, which you made before ESCAPE, unites you with Gossip Girl star Ed Westwick. Tell us a bit about the film and your experience making it.
Ed was honestly super to work with; extremely focussed and with a brilliant energy. His character is very different from Chuck Bass in Gossip Girl and he is up against a sadistic killer played brilliantly by Andrew P Stephen. We had a cracking team and my producing partner, Tom George, was super supportive. It’s deliciously twisted with standout performances.
Notoriously busy, you’ve just completed your 11th film feature, cannibalistic thriller RIVER OF BLOOD, which reunites you with THE DEAD 2: INDIA star Joseph Millson. What was it like working together again?
It was my ambition to take a break, but I still haven’t gotten around to that! Joseph Millson is always great fun and is such a wonderful screen actor – it was tricky filming Kayaking scenes on the rivers and mangroves of Thailand, but it’s such a beautiful place and that really shows on screen and it was an epic journey! It also start Sarah Alexandra Marks and Louis James from Escape and a wonderful cast and crew from Tom Boyle, the writer of my previous film The Ledge.
You rose to prominence, alongside your brother, with The DEAD and THE DEAD 2. Were you surprised with the reaction to both films?
I’ll be honest, Jon and I were very frustrated with all the compromises we had to make because of Malaria, Knifepoint muggings; being held at gunpoint etc – not even making it to location half the time, all of that stuff was quite scarring and we knew the reactions could have been even better had we been able to achieve our original vision. Maybe we’ll get the chance someday but we’re grateful to the fans who support The Dead films and when we finally get the rights back from the distributors who haven’t been paying us we might just make another…
Escape |
Looking back as an independent filmmaker, what can you say is your proudest achievement?
Not getting killed! That has nearly happened a fair few times and I’m grateful to still be alive! Never Let Go I felt proud of and it still plays on TV all over the world and it was another tricky shoot that we had to get done incredibly fast in some real tough places. I was proud to have been able to make The Lockdown Hauntings with literally no crew members at all – just me and actors. I feel that the film never got its fair share of exposure for what it was – it got knocked a lot critically on its release with people complaining it didn’t have enough special effects etc etc. It was made in the midst of lockdown by one person! Give me a break! Ha
The choice of locations seems crucial to you. Why is this?
For me location is incredibly important – they are like a character in themselves and I feel I owe it to my audience to take them somewhere different. After all, most people are in a room when they watch a film. I feel I should take them somewhere else. With Escape, I want them to enjoy the desert island locations – like they are going on a sunny holiday. Just with a bit of kidnapping and whatnot!
Your films set out to thrill people. Are you a thriller-seeker?
I think life is short and we need to get out there now and do stuff. Let’s face it, by the time we’re able to make life changing decisions we’re probably only going to get 50 decent summers/winters, whatever. You need to get out and do stuff now!
Did you ever contemplate a career besides filmmaking?
Often. I fantasise about just serving coffee in a quaint shop to pleasant people or doing gardening or something! The film business is ridiculous; it’s heart breaking all the time. We get an intense year or two of work, doing our best on something to make a piece of entertainment; compromising so many aspects of your lives and others to get it done, then the moment it comes out, people can’t wait to jump online and tear it apart. They often pirate (steal) your film and THEN on top of that tell you how bad it is!! I reckon that happens less in coffee shops – and at least if the coffee does turn out bad, you could just quickly brew another!
What would be one crucial piece of advice you would offer an ambitious young filmmaker?
Use what you have. If you know an amazing location – put that in your film. If you have access to an amazing prop – put that in etc. Write down all the striking and interesting things you have access to then get them in! Also, when you finally get to day one of your actual shoot get on with it! Get that first shot and move on. If you don’t get your film done, you won’t get to make many of them.
Finally, what’s next?
I’m hoping to get a little break but I’m attached to another horror and two thrillers so let’s see which one the universe intends to green light first! Thanks to all who watch Escape and DarkGame and everyone involved in bringing these to the screen!
ESCAPE is available to own or rent on digital download from Sept 30 from all main platforms, but it can currently be preordered via AppleTV on:
DARKGAME will be available to own or rent on digital download from October 21st. from all main platofrms including AppleTV, Google, Microsoft, Amazon and SkyStore.
MOVIE REVIEW: Longlegs (2024 Horror/Thriller Film) - Starring Maika Monroe and Nicolas Cage
"Longlegs," a 2024 American horror thriller written and directed by Osgood Perkins, takes audiences on a suspenseful, eerie journey set against the bleak landscapes of 1970s and 1990s Oregon. The film follows FBI agent Lee Harker, played by Maika Monroe, as she tracks down a mysterious occult serial killer known as Longlegs, portrayed with unsettling intensity by Nicolas Cage.
The story begins in the 1970s, where a young girl is lured by a mysterious voice, leading to a disturbing encounter with the pale-faced Longlegs. Fast-forward to the 1990s, and the narrative shifts to Lee Harker, a newly minted FBI agent with an uncanny intuition that hints at possible clairvoyance. Her unique abilities draw her into a decades-old case involving brutal murder-suicides, each marked by cryptic, satanic messages signed "Longlegs." The victims are families with 9-year-old daughters, with the murders timed around the girls’ birthdays, creating an occult pattern on the calendar—except for one date that remains missing.
As Lee digs deeper into the case, her skeptical supervisor, Agent Carter (Blair Underwood), assists her investigation. A key discovery, a doll with a metal orb inside, triggers violent psychic flashes and eerie supernatural events. Lee becomes convinced that these dolls, distributed by Longlegs, are cursed objects that compel the fathers of the victims to commit the horrific acts. The tension heightens as Longlegs seems to know disturbing details about Lee’s past, forging a dark connection between the killer and the agent hunting him.
The performances in Longlegs are standout. Maika Monroe shines as Lee Harker, portraying a balance of vulnerability and determination, while Nicolas Cage delivers one of his most memorable performances, blending menace and magnetism in the role of Longlegs. The supporting cast, including Blair Underwood, Alicia Witt, and Kiernan Shipka, adds depth to the film's tension and narrative.
Visually, Longlegs is a haunting masterpiece. Perkins crafts a world both unsettling and visually arresting, from the ominous architecture of Harker’s home to the eerie uniformity of suburban streets. The pervasive sense of dread grips viewers from the first frame and lingers long after the film ends.
However, the film has its drawbacks. While Perkins excels at building atmosphere and mood, Longlegs at times leans too heavily on Cage's distinctive intensity to carry the horror. Despite the chilling ambiance, some viewers may feel the film lacks the visceral scares typical of the genre, as the horror elements often take a backseat to the procedural aspects of the story.
Ultimately, Longlegs is a gripping psychological thriller that excels in cultivating an atmosphere of dread and mystery. Though it may not deliver the jump scares expected from a conventional horror film, its psychological depth and stellar performances more than make up for it. The film lingers in your mind, a testament to Perkins’ craftsmanship and the strong cast. I give Longlegs a solid 7.5 out of 10, a commendable entry that blends supernatural mystery with psychological tension.
Out Now on Digital https://apple.co/3zmld1K
Tuesday 24 September 2024
NYX UK Announces Twelve Premieres for October 2024, Including SANTA SANGRE, BOOK OF MONSTERS, and New Horror Films BEYOND THE CHAMBER OF TERROR and GLOWZIES
October is shaping up to be a month to remember for horror fans as NYX UK reveals twelve primetime premieres to electrify the spooky season. Known for its eclectic curation of genre films, NYX UK is pulling out all the stops this Halloween, bringing a mix of cult classics, splatter comedies, psychological thrillers, and newly released indie gems. Horror aficionados can expect both chilling premieres and a tribute to an iconic figure in horror history, Bela Lugosi, alongside a special Halloween screening of John Carpenter's seminal slasher, Halloween.
Highlights of October’s Horror Line-Up
Alejandro Jodorowsky’s SANTA SANGRE (1989) kicks off the season as one of the standout premieres. This surrealist horror classic, widely regarded as a masterpiece of its genre, will screen on Thursday, 22 October at 9pm. Combining elements of the macabre with deeply symbolic imagery, Santa Sangre is not for the faint of heart but promises an unforgettable experience for fans of avant-garde horror.
Santa Sangre |
Another notable addition to the lineup is Stewart Sparke’s BOOK OF MONSTERS (2018), an indie hit that premiered at FrightFest, mixing horror with tongue-in-cheek humor. Featuring monsters, gore, and plenty of thrills, this splatter comedy will air on Thursday, 10 October at 9pm.
NYX UK is also bringing fresh horrors to the screen with Hank Braxton's GLOWZIES (2023), premiering on Thursday, 31 October at 5pm. This wild zom-com, which has been generating buzz on the festival circuit, promises to inject some humor into Halloween night with its quirky take on a zombie apocalypse.
Additionally, fans of gritty horror will be excited for the Channel premiere of BEYOND THE CHAMBER OF TERROR (2021), airing on Friday, 25 October at 9pm. This feature film debut by writer-director Michael Pereira introduces Nash Caruthers, a character you won’t soon forget. Played by Timothy Paul McCarthy, Nash, or "Mr. Nash Fucking Caruthers" to his adversaries, is a terrifying anti-hero set to make his mark on the genre.
Book of Monsters |
Premieres of International and Indie Horror
NYX UK continues to champion international and indie horror, adding an eclectic mix of films from around the world to the October slate. Israeli horror fans will get a taste of their homegrown cinema with Aharon Keshales and Navot Papushado’s RABIES (2010), the first-ever Israeli horror film, streaming on Friday, 11 October at 9pm.
Lovers of psychological horror are in for a treat with Eduardo Sánchez’s LOVELY MOLLY (2011), airing Tuesday, 29 October at 9pm. As the co-director of The Blair Witch Project, Sánchez delivers a spine-chilling psychological narrative that deals with trauma and possession.
The October schedule also features Tate Steinsiek’s CASTLE FREAK (2020), a remake of the 1995 cult favorite, airing Thursday, 3 October at 9pm. Based on H.P. Lovecraft’s The Outsider, this reboot offers a modern twist on the original story while maintaining its gothic horror roots.
Celebrating Bela Lugosi’s Legacy
On Sunday, 20 October, NYX UK will celebrate the birthday of horror legend Bela Lugosi, whose portrayal of Count Dracula cemented him as one of the genre’s icons. The tribute begins at 5pm with White Zombie (1932), the first feature-length zombie film, followed by Murders in the Rue Morgue (1932) at 7pm, where Lugosi stars as the mad scientist Dr. Mirakle.
This Lugosi marathon offers a rare chance to experience these early horror gems, highlighting the pivotal role Lugosi played in shaping modern horror cinema.
Halloween |
Halloween Night: A Screening of Halloween (1978)
NYX UK is saving one of its biggest treats for the night of Halloween itself. On Thursday, 31 October at 9pm, John Carpenter’s Halloween (1978) will screen as the ultimate Halloween celebration. This film, which introduced the world to Michael Myers, is regarded as one of the most influential horror films ever made. Its blend of tension, minimalism, and haunting score by Carpenter himself has made it an enduring classic.
This screening will provide the perfect conclusion to a month full of frights, celebrating the film's lasting impact on horror cinema and its ability to captivate audiences with its terrifyingly simple premise.
Other must-see premieres include:
BODY AT BRIGHTON ROCK (2019), a tense survival thriller directed by Roxanne Benjamin (Saturday, 5 October at 9pm).
HELL HOUSE LLC III: LAKE OF FIRE (2019), the final installment in the found-footage horror trilogy, directed by Stephen Cognetti (Friday, 18 October at 9pm).
ANTRUM: THE DEADLIEST FILM EVER MADE (2018), a unique blend of horror and mockumentary, directed by David Amito and Michael Laicini (Friday, 4 October at 9pm).
RESTITUTION (2024), a gripping new horror thriller by Danny Draven (Tuesday, 15 October at 9pm).
THE NINTH CONFIGURATION (1980), a psychological thriller directed by William Peter Blatty, best known for writing The Exorcist (Thursday, 17 October at 9pm).
How to Watch
For those eager to tune in, NYX UK is available on Freeview Channel 271, the Channelbox app, TCL TVs, and Distro TV.
October 2024 on NYX UK is shaping up to be a horror lover’s paradise, with everything from cult classics to modern-day masterpieces. Whether you’re a fan of psychological terror, slasher flicks, or surreal horror, NYX UK’s October lineup ensures there’s something for every fright fan this Halloween season.
COMPETITION: Win The Walking Dead: Daryl Dixon Season 1 Blu-ray
Monday 23 September 2024
COMPETITION: Win The Hitcher on Blu-ray
Sunday 22 September 2024
MOVIE REVIEW: A Quiet Place: Day One (2024 Film) - Starring Lupita Nyong'o
"A Quiet Place: Day One," directed by Michael Sarnoski and based on a story conceived with John Krasinski, is the third installment in the A Quiet Place series. This prequel delves into the early days of the alien invasion and stars Lupita Nyong'o as Samira, a terminally ill woman navigating the chaos of New York City as blind extraterrestrial creatures with a heightened sense of hearing descend upon the city.
The plot centers on Samira, a pessimistic cancer patient living in a hospice just outside New York. Persuaded by her nurse, Reuben, to attend a marionette show in Manhattan, she reluctantly agrees. However, the outing turns disastrous when meteor-like objects crash, unleashing deadly aliens. After being knocked unconscious, Samira awakens in the puppet theater alongside other survivors, including Henri (Djimon Hounsou), a returning character from the franchise. The group must stay silent to avoid the sound-sensitive invaders as the military begins bombing the bridges to contain the creatures.
Tensions within the group rise, particularly after Henri accidentally kills a panicked survivor, underscoring the deadly consequences of breaking the silence. Following a power outage and the fatal activation of an emergency generator, Reuben dies, prompting Sam to escape towards Harlem with her cat, Frodo. The military announces an evacuation from South Street Seaport, but the noise of panicked crowds draws the aliens, resulting in a deadly stampede. Separated from Frodo, Sam meets Eric, an English law student, and the two navigate the dangerous city together, including a tense journey through a flooded subway, where the constant threat of the creatures looms.
Lupita Nyong'o shines as Samira, bringing vulnerability and strength to her role. Despite featuring more dialogue than the previous films, "A Quiet Place: Day One" remains largely non-verbal, relying on silence to build suspense. The first half-hour is particularly gripping, nearly flawless in its execution, setting a tense tone that the film strives to maintain throughout.
Visually, the film impresses with its effects and creature design, staying true to the franchise's high standards. However, the shift towards human drama over sci-fi horror may not sit well with all fans. The focus on personal struggle and survival takes center stage, which may leave viewers wanting more exploration of the alien invasion itself. Nyong’o’s performance stands out, but some supporting characters feel underdeveloped, making it harder to connect with their fates emotionally.
At 99 minutes, the film occasionally drags, suggesting it could have benefited from a tighter 80-minute runtime. While the earlier films thrived on tension and horror, Day One leans more into drama, losing some of the terrifying edge that defined the series.
In the end, A Quiet Place: Day One is a respectable addition to the franchise, bolstered by Nyong'o's compelling performance. While it offers a more character-driven narrative, it lacks the tension and terror of its predecessors. Fans will likely still enjoy it, but it brings little innovation to the series. Overall, I’d give it a solid 7 out of 10.
Out On Digital Now at https://apple.co/4ejwdvW
Thursday 19 September 2024
COMPETITION: Win The Original Monster Mash by Bobby "Boris" Pickett and The Crypt-Kickers
(Re) Introducing the iconic “The Original Monster Mash” album, the only studio album by Bobby (Boris) Pickett and The Crypt-Kickers.
This iconic album has been lovingly remastered and pressed on mesmerizing glow-in-the-dark vinyl for the first time, breathing new life into these spooky classics.
And to celebrate, we have a great competition for you and a chance to win a copy on Vinyl
Synopsis:
It was recorded and released in late 1962, following the success of Pickett's “Monster Mash” single. In addition to the hit single, the album features fun spin-off songs of "Monster Mash" as well as humorous horror-themed parodies of contemporary hits and dance trends.
Dive into the spooky devilish delights of classic hits like “Monster Mash” and “Graveyard Shift,” now with enhanced sound quality that will transport you straight to the haunted dance floor.
Perfect for Halloween or any time you’re in the mood for some ghoulishly fang-tastic fun, this album is an essential ‘must-have’ for vinyl collectors and fans of classic horror-themed music and timeless tunes. (Oh, and naturally this HAS to be released on a fiendish Friday 13th…..!) Muah hahaha HAHHH!… Let the ‘ghoul’ times roll!
TRACK LISTING: SIDE A
1. “Monster Mash” (Leonard Capizzi, Bobby "Boris" Pickett) 3:11
2. “Rabian The Fiendage Idol” (Johnny MacRae, Pickett) 2:53
3. “Blood Bank Blues” (Capizzi, Pickett) 2:46
4. “Graveyard Shift” (MacRae, Gary S. "Flip" Paxton, Pickett, Charles Underwood) 2:07
5. “Skully Gully” (Capizzi, Pickett) 1:59
6. “Wolfbane” (MacRae, Pickett) 3:21
7. “Monster Minuet” (MacRae, Paxton, Pickett, Gary Owens) 1:51
SIDE B
1. “Transylvania Twist” (MacRae, Paxton, Pickett) 1:35
2. “Sinister Stomp” (Capizzi, Pickett) 2:18
3. “Me & My Mummy” (MacRae, Pickett) 2:41
4. “Monster Motion” (MacRae) 2:32
5. “Monster Mash Party” (Paxton) 2:52
6. “Irresistible Igor” (Capizzi, Pickett) 2:28
7. “Bella's Bash” (MacRae, Pickett) 2:48
8. “Let's Fly Away” (Paxton, Pickett) 0:45
Order from Amazon - https://amzn.to/3znIm46
Enter now for a chance to win.
What fiendish date was this new remastered version released on?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions - For full T&C click here
1. Closing date 26-08-24
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
Wednesday 18 September 2024
MOVIE REVIEW: Sting (2024 Film) - Starring Ryan Corr, Alyla Browne and Penelope Mitchell
"Sting," the 2024 horror film written and directed by Kiah Roache-Turner, delivers a spine-tingling tale that taps into our innate fear of spiders. The story follows 12-year-old Charlotte, played by Alyla Browne, who discovers a small spider emerging from a mysterious glowing object. As the spider—named Sting—grows rapidly, the film escalates into a suspenseful nightmare, turning Charlotte’s run-down apartment building into a deadly trap.
Browne's portrayal of Charlotte is a highlight, capturing the spirit of a rebellious yet resourceful child caught in a terrifying situation. The strained relationship between Charlotte and her overworked stepfather Ethan, played by Ryan Corr, adds emotional depth, although the family drama sometimes overshadows the core horror elements. Penelope Mitchell as Heather and Noni Hazelhurst as Helga also offer strong performances, grounding the supernatural horror in a relatable family setting.
The visual effects, particularly the design and growth of Sting, are impressive. The transformation of the spider from a tiny creature to a massive predator is handled with meticulous detail, enhancing the film’s creep factor, especially in the early stages when Sting lurks in unexpected places. These moments deliver some of the film's most effective jump scares, guaranteed to unsettle even seasoned horror fans.
However, "Sting" does have its limitations. While it serves as a decent creature feature, it lacks the enduring impact of films like Arachnophobia (1990) or the fun absurdity of Big Ass Spider (2013). The movie occasionally struggles to balance its tone, missing chances to infuse humor into its outlandish premise. An exterminator character, briefly providing comic relief, is underused, and more humor could have enhanced the overall experience.
In conclusion, "Sting" is a solid low-budget horror film, perfect for a Saturday night watch. Though not groundbreaking, it offers enough thrills and spider-induced scares to satisfy creature feature enthusiasts. Despite its flaws, the film delivers a few memorable moments, earning a safe 7 out of 10.
Out Now on Digital
Sunday 15 September 2024
MOVIE REVIEW: Imaginary (2024 Film) - Starring DeWanda Wise
"Imaginary," directed and produced by Jeff Wadlow and brought to life by the genre experts at Blumhouse, is a chilling exploration of childhood innocence and the dark horrors of repressed memories. Set in a childhood home in Louisiana, the film presents a gripping premise: what if imaginary friends are not just figments of youthful imagination, but sinister entities lurking in the shadows?
DeWanda Wise delivers a standout performance as Jessica, a woman haunted by the resurfacing of an imaginary friend from her past. Pyper Braun also shines as Alice, Jessica's stepdaughter, whose playful interactions with a seemingly innocent stuffed bear take a dark and dangerous turn. Dane DiLiegro adds a layer of menace to the character of Chauncey Bear, a figure who straddles the line between whimsical and malevolent.
As Jessica’s buried memories begin to resurface, the tension builds, driven by cryptic stories from her mysterious elderly neighbor Gloria, portrayed with unsettling realism by Betty Buckley. The film skillfully blends family dynamics, psychological suspense, and supernatural terror to keep viewers on edge.
One of "Imaginary's" greatest strengths is its pacing and character development. Every twist is carefully timed, pulling the audience deeper into the mystery. The effective use of jump scares, paired with a suspenseful score, intensifies the experience, while the creature designs add a layer of palpable dread.
However, the film isn't without its shortcomings. Some plot twists may seem predictable to seasoned viewers, slightly diminishing their impact. Even so, "Imaginary" still manages to deliver a satisfying combination of familiar horror elements and unexpected surprises.
In the end, "Imaginary" stands as a solid supernatural horror film, delivering on its promise of creepy toys, haunted characters, and eerie apparitions. While it may not reinvent the genre, its skillful execution and well-timed scares make it an enjoyable experience for horror fans. Earning a strong 8.5 out of 10, "Imaginary" takes audiences on a suspenseful journey where childhood fears and forgotten memories collide with terrifying consequences.
Out Now on Digital
Apple TV - https://apple.co/4ao8OaF
Amazon - https://amzn.to/3Vs13fs
Friday 13 September 2024
BOOK ANNOUNCEMENT: Goths by David Kempf
Our very own David Kempf has a new short story out, and he asked me if I could write the foreword for the book, you can read the foreword I wrote below, and check out his book on Amazon using the following link. https://amzn.to/3XrIQOs
MOVIE REVIEW: Snow Valley (2024) - Starring Barbara Crampton, Cooper van Grootel and Tom Williamson
Wednesday 11 September 2024
MOVIE REVIEW: Arcadian (2024 Film) - Starring Nicolas Cage
"Arcadian," directed by Ben Brewer and starring Nicolas Cage, delivers a gripping mix of action and horror in a post-apocalyptic setting. The story follows Paul (Cage) and his twin sons, Thomas and Joseph, as they navigate a perilous world where terrifying creatures hunt survivors by night.
A standout feature of the film is its emotional authenticity, portraying a family dynamic that feels real amidst the chaos. Cage's performance is restrained yet powerful, portraying a father fiercely determined to protect his children. Jaeden Martell and Maxwell Jenkins also give notable performances as the teenage twins, adding depth to their characters.
The creature design in "Arcadian" is a highlight, presenting audiences with a fresh, terrifying interpretation of post-apocalyptic monsters. These creatures, paired with stunning visuals, create an atmosphere filled with tension and dread throughout the film.
However, despite its strengths in character development and inventive creature design, "Arcadian" falters with pacing and reliance on familiar tropes. Some may find the plot predictable, especially as it falls into a more conventional chase-and-fight structure in later acts.
The film’s heavy use of nighttime scenes also poses a challenge, with some moments becoming visually unclear, which may detract from the viewing experience.
In the end, "Arcadian" is a strong addition to the action-horror genre, offering enough tension and scares to engage viewers. While not without its flaws, the film's standout performances and creative monster design make it a worthwhile watch for fans of post-apocalyptic tales. With its mix of emotional depth and intense scares, "Arcadian" earns a solid 7.5 out of 10.
Out now in cinemas and on digital
Apple TV - https://apple.co/4dt8xFs
Amazon - https://amzn.to/3WrFfRA