Sunday 13 October 2024

FILM REVIEW: Oddity (2024 Film) - Starring Gwilym Lee, Carolyn Bracken and Tadhg Murphy

 

“Oddity,” the 2024 Irish horror film directed by Damian McCarthy, offers a captivating mix of psychological tension and supernatural unease. The story revolves around Darcy, a blind medium grappling with the aftermath of her twin sister Dani's murder. McCarthy skillfully builds an eerie atmosphere that maintains suspense throughout, opting for a chilling tone rather than relying on excessive gore.

Visually, the film is striking, featuring haunting imagery that complements its grim and melancholic vibe. Darcy’s curiosity shop, filled with cursed objects, along with the unsettling country house that serves as a primary setting, effectively enhance the macabre narrative. The gradual unveiling of Ted’s dark secrets is expertly handled, as is the growing discomfort surrounding Darcy’s connection to her sister’s spirit. A life-sized wooden mannequin from Darcy's cursed collection adds to the escalating horror, delivering some of the film's most unsettling moments, even if its screen time feels frustratingly brief.

The performances are commendable, with Carolyn Bracken shining in her dual role as the tragic Dani and the grieving, determined Darcy. Gwilym Lee portrays Ted with a blend of charm and malevolence, skillfully hinting at his character’s darker layers. The film thrives on suggestion rather than overt scares, which enhances its unsettling quality. McCarthy’s focus on psychological dread, rather than extravagant shocks, cultivates a pervasive sense of foreboding. Though the storyline follows familiar horror tropes, it remains engaging.

“Oddity” excels in its exploration of the unknown, leaving viewers in a state of discomfort as the lines between reality and the supernatural blur. The pacing of the suspenseful moments is expertly managed, with strategically placed jump scares that catch the audience off guard. However, it’s the persistent underlying tension that truly captivates. The supernatural elements are integrated seamlessly into the narrative, enriching the horror without overshadowing the story's core.


The film’s predictability is where it stumbles. While the final twists regarding Ted’s role in Dani’s death are intriguing, they may not come as a shock to seasoned horror enthusiasts. Moreover, the wooden mannequin, a potentially chilling presence, doesn’t receive the attention it warrants. Its significance is apparent, but a larger role throughout the film would have been more satisfying.

Nonetheless, “Oddity” succeeds in crafting a genuinely eerie atmosphere. It knows how to disturb without over-relying on shock tactics. The combination of paranormal intrigue and psychological horror plays to its strengths, and McCarthy's direction keeps the tension consistently high. Although the pacing is deliberate, occasionally feeling slow, it contributes to the mounting sense of dread that permeates the film. The ambiguous and unsettling conclusion lingers long after the credits roll.

Overall, “Oddity” stands out as a strong entry in the horror genre. While it may not innovate in narrative structure, its execution is impressive, striking a compelling balance between suspense and supernatural terror. Despite my wish for more screen time for the eerie mannequin, the film ultimately delivers a haunting experience. I would rate it a solid 8.5 out of 10.

Out Now on Shudder


Tuesday 8 October 2024

FILM REVIEW: The Exorcism (2024 Film) Starring Russell Crowe

“The Exorcism” offers a spine-tingling journey that explores the blurred boundaries between reality and the supernatural. Directed by Joshua John Miller, this highly anticipated horror film stars Academy Award-winner Russell Crowe, whose riveting performance will leave audiences gripping their seats.

Crowe portrays Anthony Miller, a once-renowned actor haunted by a dark past. While shooting a supernatural horror movie, Miller begins to experience eerie occurrences that challenge his grip on reality. His estranged daughter, Lee (Ryan Simpkins), becomes caught in the unraveling mystery, torn between concern for her father’s potential relapse into addiction and the possibility that something far more malevolent is at play. The film deftly navigates Miller’s spiral into either madness or a supernatural possession, blending psychological terror with otherworldly horror in a narrative that is both intimate and universally terrifying.

The film’s cast adds further depth to the story. Sam Worthington, known for his roles in "Avatar" and "Clash of the Titans," contributes a grounded performance, while Chloe Bailey, Adam Goldberg, and David Hyde Pierce round out the ensemble, each bringing their own distinctive touch. This mix of seasoned and emerging talent ensures a dynamic and engaging experience on-screen.

Joshua John Miller, known for his work in the horror genre, directs with a vision that pushes conventional boundaries. His approach seamlessly merges psychological and supernatural horror, creating a thick, unsettling atmosphere throughout the film.

With its intriguing premise, strong performances, and chilling scares, “The Exorcism” stands out as one of the year’s must-see horror films. It promises thrills for both die-hard genre fans and casual moviegoers seeking a gripping ride.

However, the film isn’t without its flaws. While Crowe’s performance is stellar and the narrative has moments of real intensity, it treads familiar ground, often relying on well-worn tropes of the horror genre. The final act also feels somewhat rushed, with an additional 10 to 15 minutes potentially adding more depth and clarity to the resolution.

Despite these issues, "The Exorcism" will resonate with fans of religious horror. Its meta-narrative, an actor portraying a priest, brings an intriguing layer to the story. While it may not appeal to everyone, it certainly delivers its share of genuine scares and stands as a showcase for Crowe’s talent.

Overall, “The Exorcism” earns a solid 8 out of 10. With a compelling exorcism story at its core and Crowe’s powerful lead performance, it offers a thrilling and terrifying cinematic experience.

Now playing in theaters.

Thursday 3 October 2024

Interview with David Kempf - By Jon Donnis

David Kempf

I have known David for a few decades now, so who better to interview David than myself about his new book, so David tell us about Ghost Stories.

It’s my new short story collection of ghost stories, sometimes the ghosts are good, sometimes they are bad, but they always seem to frighten us mere mortals.

Why do you think readers are still interested in ghost stories?

I’m actually going to give readers a preview of my new book by publishing the book’s introduction here—

Ghost stories are found in all cultures all around the world. Storytellers have been using the oral tradition to tell these scary tales for many centuries now. The most famous English ghost story is probably A Christmas Carol by Charles Dickens, although Oh, Whistle and I’ll Come to You, My Lad by M.R. James is a strong contender for second. The most famous American ghost stories are The Haunting by Shirley Jackson and, of course, Peter Straub’s Ghost Story. Another signi"cant ghost story novel is Haunted by Tamara Thorne. The most famous American ghost story of all time is, of course, The Legend of Sleepy Hollow by Washington Irving. I have always loved haunted houses and castles in stories, fairy tales, and live haunted house attractions. I've tried my best to write ten entertaining and diverse stories to frighten you, or at least to entertain you.

I’ve never met Peter Straub, but his novel Ghost Story and the 1981 movie always inspired me to someday write my own ghost tales. I do have the honor of knowing Tamara Thorne, a truly magnificent writer of ghost stories. Sometimes she writes them solo, and sometimes with her writing partner Alistair Cross. We have found much in common with our love of horror and ghost story novels and tales. She and I are also huge fans of John Carpenter’s The Fog, perhaps the best sea-themed modern ghost movie ever made. We also agree that the movie version of Ghost Story with Fred Astaire is magnificent and that perhaps the most underrated ghost story movie of all time is The Changeling, starring George C. Scott. I am deeply honored that she enjoys my short stories and that she has written several short story intros for me over the years, including two in this collection. So please read the tales slowly. Ghosts are not like vampires or witches; they are subtle. They make you question whether something you saw was real or only your mind playing tricks on you. They bend reality for a brief moment. That’s what ghost stories are all about. So dear reader, read on,read aloud if you dare, and above all, read these stories at night. Perhaps you can decide if this is real or all in your mind. Not a bad way to spend an evening.


— David Kempf, September 2024

What would you say is the difference between writing about characters either from mythology, or characters created by other authors, as opposed to writing about characters you yourself have created?

Ghost stories have a long history but for the most part I am inventing almost new characters both living and dead in this new short story set. The one exception, of course, is I touch on the subject of a haunted island and sea monster folklore. In that story, Banshee, I actually borrow from Robert Louis Stevenson from Treasure Island because I mention Long John Silver in an eerie local island legend. This time I don’t blatantly steal like I did in Tales of Monster Madness where I use Dr. Jekyll and Mr. Hyde in a story. A story mixed with Oscar Wilde’s Dorian Gray as well. The characters are mostly kindred spirits in that they are created by me in this one. Pun intended.

Why do you think horror and ghost story books remain so popular?

Jon, I think they're something you and I can really enjoy. And we’re far from being alone on this. As you know almost every church has a ghost that haunts it in England, (Yes I know you don't believe in ghosts, but the stories, real or not are told). And of course I feature some characters who claim some type of clairvoyant or psychic ability. That’s something I know is right up your alley, except of course the skeptic can’t always be too sure of his lack of belief in order for the story to move along nicely.
What inspires your stories?

Well, I write about what I want to write about. I wanted to write about the Jinn and the wish gone wrong and then I wrote my Dark Fiction trilogy. When the idea of mashing up these classic monsters popped into my head, I just went with it and wrote TALES OF MONSTER MADNESS. With this new one GHOST STORIES I wanted to touch on all the ghost story lore I liked. I wrote one ghost story and could not stop. I started writing them one by one, and then next thing I knew I had an entire collection of them. Last year I thought "Dracula vs. the Wizard of Oz"? Now who could resist that? Now I’m thinking that I have ten great stories that were well enjoyed by some of the best ghost story authors out there. And if they could not resist then how can you?

What do you think the difference between American horror and British horror is? In this case in terms of ghost stories.

I think that ghost stories are probably more popular in England than here in America. When America was young in the colonial days, ghost stories were probably a much bigger thing. Despite the Andy Williams song It’s the Most Wonderful Time of the Year, Americans love the idea of ghosts for ghost tours, older stories, occasional movies, and especially for Halloween. Telling ghost stories is big in England. We had Poe who really only hinted at ghosts but we do have Hell House and The Haunting of Hill House. England still has more ghostly tales. You tell them over Christmas and every church has it’s own famous ghosts. There’s more ghostly characters and legends on the other side of the pond.


Is there an audio-book version of your book?

Sadly not yet. Podcaster Boo Rhodes and my narrator Wesley Critchified have expressed an interest in it but I am busy turning FOUR MURDER MYSTERY PLAYS into audio dramas right now. And I have pretty much a dream cast for the voices.

Why did you sell the stories individually before putting them together in one book?

I did it so that anyone who wanted to get a sample of my work could so so. And usually it’s the remarkable cover art by my cousin Heather Slawecki that gets people to make that one dollar investment in my written word.

Tell us about the various authors you have had write introductions for the stories.

Years ago, I read a book called My Favorite Horror Story, and it featured an introduction before each short story. Usually it was a favorite short story of certain write like Harlan Ellison or Peter Straub. Anyway, it was a great book and I got to be introduced to a number of authors and short stories that I had never previously heard of. I loved the heartfelt introductions idea so I asked some of my writer friends to write intros for me. Gary Raisor, Lorraine Evanoff, Tamara Thorne, Boo Rhodes, Andres Montanez, Michael Baker, and a gentleman by the name of Jon Donnis wrote the intros. I also owe a huge debt to my editor A.L. Sirois, and my cousin Heather Slawecki for covers and formatting. I was very proud of the book that these collaborations produced.

What do you consider your greatest accomplishment as an author?

Wow. Writers always think there current book is there best work but in this case, that might actually be true! But I’m not sure. I really loved TALES OF MONSTER MADNESS last year, and this year GHOST STORIES is my best work. I guess I should just say my greatest accomplishment is always striving to do my best work.

What are your current projects?

I would like to concentrate on writing the short stories. I’ve written ten stories based on classic monster characters but I am not done yet. I just wrote ten ghost stories in a collection and next for me is ten dystopian stories in the future.

And we all know I fully intend to keep writing for Masters of Horror U.K. for as long as I can.

Well it has been a pleasure talking to you David, and I wish you all the best not only for this latest book, but for all your future work. Thank you.

Ghost Stories is out now on Kindle, check it out at

FILM NEWS (UK): Nicholas Vince’s I AM MONSTERS! Gets Exclusive Limited Edition Blu-ray Release

I AM MONSTERS!

Nicholas Vince, celebrated actor and director best known for his iconic roles in Clive Barker's Hellraiser and Nightbreed, is bringing his autobiographical one-man show I AM MONSTERS! to Blu-ray with an exclusive limited-edition release. This highly anticipated release, featuring Vince’s deeply personal journey, is available to pre-order from October 1, 2024, through Dark Rift Horror. - https://darkrifthorror.com

The first 500 Blu-ray copies come in a special Signed Collector’s Numbered Edition, with a beautifully designed slipcover by renowned graphic artist Graham Humphreys. Priced at £25 (+ shipping), fans can also opt for a personalised dedication for £30. The limited-edition Blu-rays will ship to the UK, US, and Canada starting October 31, 2024.

A Deluxe Collector's Experience

This release isn't just a movie, it's an experience. Along with the main feature, fans will receive an array of bonus content, including:

  1. Four exclusive postcards
  2. A four-page booklet
  3. Four short films, written and directed by Nicholas Vince
  4. An exclusive interview hosted by Dominic Brunt (Emmerdale, Wolf Manor)
  5. A free digital download of extra content via a QR code, including a shooting script and a 10-minute documentary on the making of Vince’s The Night Whispered.

Nicholas Vince

A Journey of Monsters and Identity

Originally debuting as a live stage performance in 2019, I AM MONSTERS! is a confessional exploration of Vince’s life as both an actor and an outsider. The show reflects on his childhood love of monsters, the painful challenges of growing up gay under Thatcher’s Britain, and his rise to fame through his unforgettable performances in Barker's horror classics.

The film adaptation had its world premiere at FrightFest 2023, receiving critical acclaim for its raw storytelling and its ability to blend nostalgia with hard-hitting personal truths. Vince speaks openly about bullying, a life-threatening reconstructive surgery, and the pressures of concealing his sexuality in a repressive era. His reflections reveal how these experiences informed his portrayal of cinematic monsters, from the iconic Chatterer Cenobite to other roles in horror films, comics, and short stories.

“I’m overjoyed to finally share I AM MONSTERS! on Blu-ray,” Vince commented. “The journey from stage to screen has allowed me to delve deeper into my own history, and I hope fans will enjoy this exploration of what it takes to become a monster both on and off screen.”

A Dark Rift Horror Production

Produced by Dark Rift Horror, the Blu-ray release showcases the studio's commitment to bringing distinctive, community-driven horror to fans worldwide. With a history of producing fan-favorite indie horrors such as Book of Monsters and How to Kill Monsters, Dark Rift continues to push boundaries in the genre. Their Dark Rift Presents label aims to spotlight homegrown British horror, with I AM MONSTERS! as a flagship release.

About Nicholas Vince

Nicholas Vince is a pivotal figure in the UK queer horror scene. While he's most recognized for his terrifying portrayal of the Chatterer in Hellraiser and Kinski in Nightbreed, Vince has also carved out a reputation as a writer, director, and advocate for independent horror. His intimate one-man show I AM MONSTERS! offers a rare glimpse into his personal life and career, combining humor and horror to create a uniquely compelling narrative.

For fans of classic horror and those fascinated by the personal stories behind the monsters, I AM MONSTERS! is a must-have addition to any collection. Pre-orders are available exclusively at the Dark Rift Horror website, so don’t miss your chance to own a piece of cinematic history.