Friday, 2 January 2026

Interview with K.K. Monroe By David Kempf

 

1. When did you first become interested in horror?

I was a guinea pig for my older sister’s love of horror. There was a considerable age gap between us, almost a decade, and I served as her unwitting, scaredy cat. In my early childhood, she impressed upon me a twisted version of The Lawnmower Man, a verdant, alien lifeform who was trawling our neighborhood. She convinced me he was creeping the large, circular vent above my bed at night, watching and waiting for me to fall asleep so he could turn me into BBQ. 

It would be safe to say: horror has always been interested in me. If you can’t beat them, join them, creepy matters have piqued my morbid curiosity as far back as I can remember.

I also have this vivid, formative image embedded in my mind: parallel train tracks running through distinct dimensions of reality, diverging and converging at whim. Whether the parallel tracks represent life and death, a sense of otherness; I genuinely don’t recall where the seeds came from. Yet it’s rooted in my psychological core and continues to evolve and flourish.


2. Did you always enjoy writing?

I’ve always enjoyed language, reading, and writing. When I was in second grade, I made a fourteen page book using construction paper and ribbons. I drew my own illustrations, wrote a dark fantasy about a door in the floor, a secret magical kingdom, color-changing unicorn (of course), a fierce princess, battling against an evil force overtaking the land. This was in the late 70’s, pre-Neverending Story when I took it in for show-and-tell. I was brave then and read it to the class. I couldn’t draw worth a damn, but that didn’t deter me. I love writing. 

Now, I need to write to keep my mind a bit quieter and calmer. 

Though it can be an exercise in madness. 


3. Do you have a favorite horror character?

There are so many, all vying for top position. It’s a bloody massacre in my imagination when I have to choose. A few favorites are: Pennywise from IT, The Overlook Hotel in the Shining, The Creepiest #1 Horror Fan Annie Wilkes from Misery, and Hannibal Lecter as written by Thomas Harris. I’m particularly frightened by characters who too closely resemble real life. Characters that could very well be based on actual people and events such as Annie Wilkes, Hannibal Lecter, and the feral pack of school boys in Lord of the Flies. 

Truth is not only stranger than fiction, it’s more horrifying.

Settings and places which breathe, hunger, and haunt get under my skin: Hill House and The Overlook Hotel are at the top of my list as favorites.


4. Is there another genre that you are interested in?

I’m genre fluid in both my reading and writing interests. Dark fantasy, fantasy, sci fi, psychological thrillers and mysteries all draw me in. I read many international classics growing up, including Russian authors such as Dostoyevski, Solzhenitsyn, and Tolstoy due to my family’s Balkan heritage. I crave literary variety and am a mood reader. 


5. Are there topics in horror that you will not write about?

My storytelling boundaries are still evolving as am I. Lurid depictions of CSA and active animal torture are a hard No for me. I may allude to highly sensitive topics in context, even exploring the grim emotional depths of a character’s subsequent trauma. I’m not one to go extreme. 

We live in a horrific world. My greatest terrors arise from the daily news.


6. How much has Lovecraft influenced your work?

Edgar Allen Poe, Oscar Wilde, Shirley Jackson, Ray Bradbury, George Orwell, influenced me quite a bit. I came to H.R. Lovecraft later in life, in my early twenties. His sheer brilliance with language, utter imagination, fantastically disturbing, existential treatment of humankind as mere specks of dust floating in vast nothingness, resonates with me. 

Lovecraft was a cosmic horror pioneer and literary genius. I revisit his works often and am easily consumed by the exquisite unease in his prose and imagery, leaving me pondering for eons. 

Cosmic horror inhabits my soul. It may come as no surprise to learn I double majored in Philosophy and Psychology with a concentration in English Lit in undergrad. That pretty much captures me.


7. Do you have more fun writing short stories or novels?

I have the most fun writing stories of any length that don’t throw up subversive resistance at every turn, for I am my own worst enemy. I adore the short story form. Give me a juicy morsel, even if it’s just a tidbit I can enjoy with my morning coffee, and I’m thrilled. Good short stories are a smorgasbord of horrific delights to be savored. Likely, the brevity, suits my attention span, which hopscotches all over the universe and sometimes even plays leap frog with a unicorn. 


8. Why do you think horror books and movies remain so popular?

Psychological and emotional catharsis, scary, creepy, unnerving, frightening, mounting dread, blood-chilling terror, an indescribable ancient horror, tap into such complex emotions and give us addictive hits of endorphins and dopamine. In my opinion, morbid fascination is as intrinsic to human nature as Freud’s Id. On some level, fictionalized horror is freeing. There’s no genuine, physical threat. Safe scares allow us to contemplate, maybe, things aren’t quite as awful in comparison to, say, a blood-thirsty slasher on the loose? Ultimately, I think we crave ecstatic relief, similar to surviving a harrowing rollercoaster ride. We’re happy to be alive. Then wish to do it all over again.


9. Why do you think that people are obsessed with being scared?

We’re subject to the hardwiring of our amygdala. Fear via remote viewing allows us to envision and mentally reenact a variety of disasters and crises, in order to prepare ourselves. We’re left feeling better equipped to survive horrific survival scenarios, should they ever arise. Something akin to the evolutionary imperative of survival of the fittest; being safely afraid provokes an atavistic high, hopefully, much less dangerous than base jumping.


10. Who inspires you?

In the horror world, Stephen King is the horror author of my childhood. He’s a legend, a true inspiration, humanized by freely-given, humble advice and encouragement. He has struggled with doubts and personal demons. He threw Carrie in the garbage bin. If Tabith, his wife, hadn’t rescued it from the trash, who knows? Choices define us. What I truly admire about SK, aside from his incredible world-building and prolific imagination, is he has never been withholding about his struggles as a human being and writer regardless of fame. 

In life? Compassionate, empathetic, giving human beings inspire me like no others. The people who love and care for helpless animals. The helpers who run headlong into disaster to save strangers with no regards for themselves. They’re the best of humanity. Good eggs inspire me.


11. What are some of your favorite horror books?

Pet Sematary is my favorite horror book. It outright scared me more than anything I’ve ever read. I was nine at the time, sequestered to a transcontinental flight, still, it holds up under scrutiny. 

Animal harm is a major trigger for me, and I’m oddly insistent that Jack London’s Call of the Wild qualifies as realism/survival horror. The savagery of Nature, survival-needs pitted against brutal elements, tipped my world over. I was also quite young, about eight, when I read it.

The Talisman co-authored by Peter Straub and Stephen King. Misery, IT and The Stand by Stephen King. The Other by Thomas Tryon. Rebecca by Daphne Du Maurier. The Haunting of Hill House by Shirley Jackson. Lord of the Flies by William Goulding, The Ruins by Scott Smith. The Twelve by Justin Cronin. 

This year, I’ve added Veil by Jonathan Janz and Steel Machines by Dan Franklin to that list. They’re both fantastic.


12. What are some of your favorite horror movies?

I subsist on horror movies. Jaws cracked cosmic (and creature) horror wide-open for me. As a result, I suffer from a dire case of thalassophobia, a fountain of terror which never runs dry. 

Alien, forged my obsession with sci fi horror. 

A few others include: Nightmare on Elm Street, Jeepers Creepers, The Orphanage, The Others, The Changeling (1980), The Descent, The Conjuring, The Ritual, Creep, Silence of the Lambs. The Thing (1982), Prometheus, and Signs.

The Ring made me sleep with all the closet doors open and every light on in the house. 


13. What are your current projects?

I have a short story “Dead Water” appearing in the Screams from the Bayou Anthology in 2026, and I’m really excited about that. Advanced copies will be available through Broken Brain Books at STC AuthorCon™ in Williamsburg, Virginia, February 27th-March 1st. 

I have several WIPs. I’m exploring my cultural heritage with some grim Serbian folklore. I’m working on a cosmic, eco horror novella and another psychological, metaphysical novella dealing with transformative grief. I have a tendency to set aside my shorts stories and let them percolate forever, before editing. I’m never satisfied. My work run the spectrum of experimental sci fi, dystopian, weird/bizarre, fantasy, to global cryptids. 

I plan to get out of my own way this year and publish more. Wish me luck.


14. Please in your own words write a paragraph about yourself & your work.

I’m humbled and honored to be invited to do an author interview. Thank you so much.

I’ll include my author bio here:

KK Monroe is a horror author, cognitive-linguistic specialist (by day), and an avid genre-fluid reader. She resides in Virginia with her husband and two pups. Firstborn American to immigrants raised under Tito’s communist regime in former Yugoslavia; KK’s unique bicultural upbringing has deep roots in oral storytelling traditions, dark Slavic Mythos, and cautionary folktales of a pagan-rich heritage. This cultural milieu colors and shapes the lens of this author’s writing style, interests, and voice. In her free time, she enjoys tackling her TBR, watching scary movies, cooking ethnic foods, and falling down obscure rabbit holes in the name of research. Her short fiction has been published in the Screams from The Dark Ages Anthology and in Cosmic Horror Monthly with forthcoming releases. Her debut collection of quiet, vintage, cosmic horror “Things from the Dark” can be found on Amazon. 


Follow along in this author’s writing journey on Facebook at KK Monroe – Author.  

https://www.facebook.com/kk.monroe.author/

Stay current on recent and forthcoming releases at https://linktr.ee/kkmonroehorrorsalad

Monday, 29 December 2025

PREVIEW: Doctor Plague (2026 Film) - Starring Martin Kemp

Martin Kemp might have been swatting bugs on I'm A Celeb recently, but his latest screen role plunges him into something far more sinister. Doctor Plague is a new horror thriller that casts the pop icon into a grim chase across London, where a masked figure prowls the streets with a taste for blood. Miracle Media releases the film in the UK on 12 January, and the first trailer already sets a chilling tone.

Kemp plays John Verney, a weary detective who has seen too much yet is unprepared for this nightmare. A killer dressed as a seventeenth-century plague doctor is picking off victims across the city, leaving Verney to question whether the threat is human or something far stranger. The Hollywood News describes the film as a unique horror thriller with echoes of The Wicker Man, perfectly matching the uneasy atmosphere that lingers over every scene.

It is a world away from the jungle camp. Instead of completing trials, Kemp races through shadowed alleys, the plague doctor’s mask catching every glint of light. The suspense revolves around whether Verney can survive long enough to uncover the truth, and, given Kemp’s celebrity status, there is a natural hope he makes it through.

The trailer is now online and promises a chilling start to 2026.

Doctor Plague is available on UK digital from Miracle Media on 12 January.

Saturday, 20 December 2025

REVIEW: Frankenstein (2025 film)- Starring Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz

Frankenstein
 

Guillermo del Toro’s 2025 Frankenstein is a film that clearly comes from the heart, a labour of love for a story he has cherished for years. From the opening shots on the icebound Horisont Navy Ship, the film settles into a steady, assured rhythm. It frames Victor recounting his sins while the shadow of his creation looms, tapping into the soul of Mary Shelley’s novel with a devotion that feels lived-in rather than rigid. Tender moments sit alongside profound sorrow, giving the story an emotional depth that lingers.

Oscar Isaac delivers Victor with a cold, precise brilliance, capturing both his inflated sense of purpose and the weight of his descent from promising surgeon to broken fugitive. Every stage of the film is supported by extraordinary design work. Del Toro fills each frame with towering sets, rich colour, and layered textures that make even the bleakest landscapes strangely inviting. The world surrounding Victor and the Creature glows with a painterly, gothic beauty. When the story shifts to the Creature’s memories, the mood changes gently but powerfully: the forest scenes, the warmth of the blind man’s home, the eerie stillness of the Arctic, all staged with the confidence that has long cemented del Toro as a master of monsters.

Jacob Elordi’s Creature is a highlight, capturing pain, confusion, and fleeting hope with striking subtlety. His moments of learning and companionship are among the film’s most affecting. Physically, he never quite embodies the towering presence of the classic Frankenstein monster, which stands out during scenes emphasising the Creature’s terrifying strength, but it is a minor issue in an otherwise compelling performance.

At around two and a half hours, the film demands patience, though it never drags. The emotional weight accumulates steadily, and by the time Victor and the Creature reunite in the present, the journey resonates fully. Their final encounter is quiet, heart-wrenching, and entirely earned.

What impresses most is how del Toro reshapes a familiar tale without losing its essence. Life, death, grief, and responsibility remain at the core, but forgiveness takes a more central focus here. Some viewers might miss a touch of the Creature’s original fury, yet the sincerity behind this version is undeniable. Every frame feels crafted with care and love.

Among the many adaptations of Frankenstein, this stands out as perhaps the finest. It looks breathtaking, feels profoundly human, and marks a triumphant return for del Toro. A confident, resonant masterpiece, earning a 9 out of 10.

Out Now on Netflix - https://www.netflix.com/gb/title/81507921

And in Select Cinemas

Saturday, 13 December 2025

REVIEW: The Astronaut (2025 Film) - Starring Kate Mara and Laurence Fishburne

The Astronaut
 

Jess Varley's The Astronaut is a compact and effective slice of sci-fi horror, shining brightest when it leans into mood and mystery. At first it feels familiar, but just when you think you have it figured out, the film pulls the rug from under you.

Kate Mara is the standout, giving Sam Walker real emotional depth. She captures both the resilience of an astronaut and the fragility of someone slowly unraveling. As Sam begins seeing impossible things and her body changes, Mara keeps it understated, letting the fear simmer quietly beneath the surface, which makes it all the more unsettling.

The story moves briskly. Clocking in at just under ninety minutes, it never outstays its welcome. From the moment Sam wakes in quarantine, the tension steadily builds, sliding from oddity to genuine terror. The twist lands perfectly, catching even seasoned viewers off guard in the most satisfying way.

Laurence Fishburne brings authority as General Harris, though it is a shame he appears so late. His presence adds weight and steadies the film where the early scenes feel slightly light. Gabriel Luna and Ivana Miličević provide solid support, but this is very much Mara’s story.

The title can be misleading. Despite being called The Astronaut, the film never leaves Earth, unfolding almost entirely around the isolated house where Sam is monitored. The confined setting heightens the tension but also makes the story feel smaller. Budget limitations show occasionally, with some effects and creature moments falling short.

Still, there is much to admire. Varley focuses on atmosphere rather than spectacle, using silence, shadows and suggestion to craft unease. The tone is pleasantly old-fashioned, leaning more towards The X-Files than Alien.

The Astronaut won’t redefine sci-fi horror, but it is a confident, tightly crafted film with a clever twist and a remarkable lead performance. A smart, tense, and surprisingly gripping story, earning a solid 7 out of 10.

Out Now - https://apple.co/47EgvuA

Wednesday, 10 December 2025

PREVIEWS: The R.I.P Man, The Vindicator & Inhabitants all arrive on UK digital Jan 2026

THE R.I.P MAN

A new horror villain is spawned as a terrifying, toothless ruthless killer wipes the smile off a quiet English town that holds a dark connection to his mysterious past, bringing brutal Brit slasher mayhem

Read your last rites as The R.I.P Man introduces a sinister new horror villain who drills onto the silver screen all gums blazing. 

From award-winning actor and filmmaker Jamie Langlands (The Cellar), comes a new nail-biting slasher in the vein of Scream meets One Missed Call. Following its award-winning run on the festival circuit, The R.I.P Man is set to haunt UK digital on 5 January 2026, courtesy of Reel2Reel Films.

Rest In Pain as The R.I.P Man brings a new lease of terror to British horror and with a sequel on the way, horror fans are guaranteed to be mouthing off about this tormented tooth fairy feature.

On digital 5 January from Reel2Reel Films


THE VINDICTAOR

An infamous serial killer disrupts a true crime podcast, challenging the curious hosts to deadly tasks that expose their darkest secrets in the pursuit of exposing the killer’s identity in a twisted new horror

The Vindicator, from directors Luca Patruno and Brandon Sherrill in their feature debut, pushes the pursuit of truth and justice to the very edge with deadly consequences in darkly disturbing new horror. Following its recent release in the US, the film is set to arrive on UK digital 19 January, courtesy of Miracle Media.

Tune in to The Vindicator for a grisly and gruesome horror where justice is deadly.

On digital 19 January from Miracle Media


INHABITANTS 

Punished for living in sin, a young man and his girlfriend are haunted by a malevolent paranormal entity from his past in spine-chilling new possession horror staring Josh Rivera and Anna Jacoby-Heron

‘Matt McClung manages to weave a riveting and terrifying story that finds a way to still feel original’ 7/10 Horror Buzz

‘A carefully orchestrated dose of religious horror… presents a unique vision of atmospheric horror’ Josh at the Movies

Say your prayers as Inhabitants is set to possess you when it arrives on UK digital 26 January 2026, courtesy of Miracle Media.

Exploring religious trauma through the haunted house horror sub-genre, Inhabitants is a suspenseful thriller from director Matt McClung (The Mad Whale) with a stellar cast including rising Hollywood star Josh Rivera (The Hunger Games: The Ballad of Songbirds & Snakes, West Side Story), Anna Jacoby-Heron (Stranger Things, Contagion), Ana Auther (Sunset Beach, Days of Our Lives) and comedy icon Kevin Nealon (Saturday Night Live, Weeds).

Repent for your sins and invite Inhabitants in for a tense, spine-tingling supernatural chiller.

On digital 26 January from Miracle Media

Tuesday, 9 December 2025

NEWS: The Ford Brothers set to make long-awaited THE DEAD 3

 

Back in 2010, the Ford Brothers released The Dead and stirred up the zombie scene in a big way. They filmed in some genuinely risky parts of West Africa and brought back that slow, creeping style of zombie that builds tension in a quiet, unsettling way. It struck a chord with viewers across the world. They pushed things even further in 2013 with The Dead 2: India, taking their global collapse to a wider canvas.

Now, fifteen years on from the start, Jon and Howard Ford are stepping in once more for the final chapter of their trilogy. They are setting out to make it the most fierce and unflinching of the lot. It will arrive with a fresh angle while still keeping hold of the old school feel that made the series stand out in the first place.


Synopsis: 

With the world in chaos, a man, torn apart by the murder of his family, uncovers a global conspiracy which has brought the flesh hungry dead back to life. He will stop at nothing to battle his way across a deadly landscape to unleash a blood soaked, violent, revenge on the greedy, corporate, super rich, hiding in paradise, in secure island fortresses, waiting to inherit what remains, as the world burns in a fire of their own creation.

Jon Ford said today: "I wrote The Dead 3 with more terror, anger and rage coursing through my veins than any "sane" human being should ever know! This, the final and most important film of the trilogy is going to shock, outrage, and please, in equal measure ! It's been a long time coming..."

Howard Ford added: "I get asked almost every day if we are ever going to make The Dead 3 and given the challenges and real life near-death of both 1 and 2 on the incredibly arduous productions we've not yet jumped at it, but with Jon's fiery inspirations to dive back in with a killer script I feel 2026 is the now-or never for the third and final chapter!"

The film’s locations will be revealed at a later date.

Instagram: @thedead3movie



Monday, 8 December 2025

REVIEW: The Toxic Avenger (2025 film) - Starring Peter Dinklage

 

Macon Blair’s reboot of The Toxic Avenger delivers the kind of loud, grimy revival fans were hoping for. As the fifth entry in the series and a remake of the 1984 original, it fully embraces its identity as an ultra-violent, black comedy, blending cartoonish gore with broad satire and unexpected moments of heart. It will thrill those seeking shock value while leaving anyone expecting a conventional superhero story unsettled.

Peter Dinklage leads as Winston Gooze, a downtrodden janitor transformed after a disastrous toxic accident. He brings a grounded humanity to the role, making Winston more than a green-faced force of fury. When the film demands pathos, Dinklage delivers it. Jacob Tremblay shines as Wade, Winston’s stepson, providing the emotional core that anchors the chaos.

Taylour Paige brings spark as J.J. Doherty, the whistleblower whose actions drive much of the plot. Kevin Bacon is gleefully sleazy as the corrupt company boss Bob Garbinger, while Elijah Wood injects a twitchy, unpredictable energy as Fritz. Luisa Guerreiro, credited as the suit performer, commits fully to the physical demands of Toxic Avenger.

The story itself is simple, which works in its favour. A corrupt pharmaceutical company, thugs, mob ties, a whistleblower in peril and a threatened community provide the raw material for Blair to craft violent set-pieces, gross-out gags and darkly comic encounters. The film leans into parody rather than sincere reinvention. It is loud, filthy and frequently hilarious, yet punctuated with genuine moments of feeling that stop it from being purely a shock parade.

There are flaws, though. The plot is intentionally thin, and at times the film feels like a string of skits stitched together with blood and bile. Some jokes overstay their welcome, and the middle section occasionally drifts. At around 100 minutes, it feels a touch long for its material. Those seeking tight plotting and subtlety may be disappointed.

Still, these are minor complaints. Blair clearly knows his audience, keeping the tone anarchic while allowing the relationship between Winston and Wade to give the film heart. Some throwaway scenes land brilliantly, others less so, but the energy and commitment on screen maintain momentum. Performances are strong across the board, the satire hits often enough, and beneath the nastiness lies a strange affection.

The Toxic Avenger is not for everyone. It will offend, it will shock, and it revels in its own grotesque humour. For those willing to lean into that world, it is a raucous and surprisingly touching reboot that honours the original while staking its own claim. I give it 8 out of 10.

Out Now at https://apple.co/4ozVYwU