PREVIEW: Scream Therapy (2026 Film) - From Writer-director Cassie Keet

 

Preview By Jon Donnis

Cassie Keet’s absurdist horror feature Scream Therapy arrives on UK digital on 6 April, bringing with it a loud, chaotic mix of dark comedy and female-led horror. Following its US premiere, the film makes its UK debut through Miracle Media, setting the tone for something that leans fully into its wild premise.

Written and directed by Keet, known for Abigail Before Beatrice, the film takes a deliberately exaggerated concept and pushes it to extremes. What begins as a therapeutic escape quickly spirals into something far more dangerous, blending humour with horror in a way that keeps things unpredictable.

The story centres on Avery, played by Harley Bronwyn, who is reeling after a messy breakup with her boyfriend of seven years. Looking for some form of release, she heads into the desert with her best friends for a girls’ weekend built around scream therapy, hoping for a sense of reset.

After a day of bonding exercises and a little experimentation, the trip takes a sharp turn. The group finds themselves confronted by a demonic incel cult with a strict deadline for human sacrifice, forcing them into a brutal situation where survival becomes the only priority.

As the threat closes in, the women are pushed into a fight for their lives. The balance shifts quickly, and the cult begins to realise they have chosen the wrong targets. What follows is a fast-moving clash filled with chaos, resistance, and revenge as both sides try to outmanoeuvre each other.

With its mix of horror and dark humour, Scream Therapy positions itself as a high-energy, female-led feature that does not hold back. It invites audiences to dive into the madness, bringing together friendship, fear, and a lot of screaming along the way.

Scream Therapy is available on digital platforms in the UK from 6 April through Miracle Media.

PREVIEW: Itch! (2026 Film) - Starring Bari Kang

 

Bari Kang makes a striking entrance into horror with Itch!, a grim and tightly wound debut that first caught attention at Grimmfest. Now set for its digital release on 20 April 2026 via Seven Tales, the film arrives carrying strong early buzz and a premise rooted in both fear and human fragility.

Kang takes on multiple roles behind and in front of the camera, writing, directing, producing, and starring as Jay. That central performance gives the story a grounded core. Jay is a man dealing with loss, struggling through grief while the world begins to fall apart around him. It gives the film an emotional weight that runs alongside the horror.

At the centre of the story is a fast moving and deeply disturbing infection known as The Itch. It spreads rapidly, turning those affected into violent, unstable versions of themselves, driven towards destruction. As panic spreads across the city, Jay and his daughter, played by Olivia Kang, search for somewhere safe to hide.

They find temporary shelter in a convenience store, though safety quickly proves to be an illusion. The space becomes increasingly tense as more survivors gather, and suspicion begins to take hold. The threat is not just outside. It builds within the group itself, fuelled by fear and desperation.

As the infection draws closer and tensions rise, the film shifts into a more psychological space. Trust becomes fragile, and every decision carries serious consequences. The real danger begins to feel as though it lies in how people react when survival is on the line.

The relationship between Jay and his daughter remains at the heart of it all. Their bond is pushed to breaking point as they face impossible choices, forcing them to confront not just the situation around them, but each other. The story builds towards a conclusion that aims to challenge ideas of protection, sacrifice, and what people are willing to do for those they love.

With support from a cast that includes Patrick Michael Valley, Ximena Uribe, Mia Ventura Lucas, and Douglas Stirling, Itch! sets itself up as a bleak and intense addition to the outbreak horror space.

The film lands on UK digital platforms on 20 April, with a US release following on 21 April, offering a harsh and gripping experience that stays focused on both terror and the human cost behind it.

FrightFest 2025: A Five-Day Horror Spectacle Unleashes Its Full Line-Up

 

By Jon Donnis

FrightFest is back and bigger than ever. From 21 to 25 August, the UK’s premier horror and fantasy film festival returns to the ODEON Luxe Leicester Square, spilling over into two screens at the ODEON Luxe West End. With sixty-nine features from fourteen countries across four continents, this year’s event promises a wild, bloody ride through the strange and spectacular.

The festival kicks off with the UK premiere of The Home, a chilling thriller from The Purge creator James DeMonaco. Comedian Pete Davidson stars as Max, a rebellious young man sentenced to community service in a quiet retirement home that quickly proves to be anything but. FrightFest closes with Influencers, the follow-up to Shudder’s social-media shocker. Directed by Kurtis David Harder, it’s a twisted, unsettling take on digital fame and the dangers that lurk behind the perfect filter.

THE HOME

FrightFest regulars return in force. Erik Bloomquist unveils his latest cult nightmare Self-Help, while Simon Rumley brings Crushed, his most emotionally raw work to date. The Adams family are back with Mother of Flies, a spiritual follow-up to Hellbender. Joe Begos returns with Jimmy and Stiggs, a gore-soaked joyride packed with added footage from Eli Roth. Neil Marshall also reappears, hosting a special 4K restoration screening of his 2005 classic The Descent, with cast members in attendance.

Main screen highlights include the long-awaited reboot of The Toxic Avenger, the UK premiere of A Serbian Documentary, and genre-benders like The Rows, Bone Lake and What She Doesn’t Know, co-written by the daughter of horror legend William Castle. Also screening are British entries like Odyssey and Cognitive, and inventive indies such as Flush, Marshmallow, Night of Violence and Redux Redux, a reality-hopping horror from the McManus Brothers.

The Discovery Screen slate is as unpredictable and bold as ever. The 'First Blood' strand features world premieres from up-and-coming UK talent, including He Kills At Night, Healing Andy and The Haunting at Jack the Ripper’s House. US entries bring everything from killer clowns in Super Happy Fun Clown to rural terror in The Confession, while Canadian and Australasian films deliver werewolves, body horror, and a uniquely twisted musical journey.

Notable entries include Bambi: The Reckoning, a gory reinterpretation of the classic tale, and Blockhead, the debut narrative feature from Matt Harlock. The documentary section is packed too, with deep dives into genre icons like Graham Humphreys and Andy Milligan, and Sane Inside Insanity, a detailed look at the enduring cult of The Rocky Horror Picture Show.

THE TOXIC AVENGER

International animation also makes a strong showing with the UK premiere of Latvian film Dog of God, which explores historic werewolf trials with fever-dream energy, and Gill from South Korea, continuing the powerful visual storytelling of director Jae-huun Ahn.

As co-director Alan Jones puts it, “FrightFest in its 26th year remains the UK’s Number One destination for genre fans.” With a huge range of world premieres, cult favourites, experimental visions and nostalgic callbacks, this year’s festival celebrates the strange, the stylish and the genuinely scary.

Full short film line-ups and guest appearances are still to come. But one thing is already clear. If you love horror in all its forms, there’s nowhere else to be this August.

BORDERLINE

PREVIEW: I Heart Willie (2025 Film) - Starring David Vaughn

Review by Jon Donnis

You might think you know Steamboat Willie. The whistling. The tugboat. That cheerful little mouse who kicked off a century of magic. But I Heart Willie is here to drag that image through the dirt, gut it, and leave it twitching in the dark. This isn’t a tribute. It’s a complete rewire.

Landing on UK digital from 23 June via Reel 2 Reel Films, I Heart Willie is a bold, blood-slick horror from the minds of David Vaughn and Alejandro G. Alegre. Vaughn, who also stars, brings a twisted energy to what’s essentially a myth-busting descent into madness. Alegre, fresh off They Were Witches and The Devil Told Me What to Do, directs with a flair for grim, claustrophobic terror. Together, they pull apart childhood nostalgia and sew it back together with something foul.

The story follows Daniel and Nico, a pair of YouTubers known for chasing urban legends and internet folklore. Their latest clickbait target? The disturbing tale of “Steamboat Willie” – not the animated icon, but a disfigured boy who allegedly inspired the cartoon. According to rumour, the real Willie haunts a backwoods clubhouse, luring in the curious and peeling them apart to make himself a second skin. Most people laugh it off. Daniel and Nico head straight in.

Naturally, things go sideways. Fast. What begins as a jokey, possibly haunted vlog turns into a waking nightmare of mutilation, ritual and sadism. The clubhouse isn't abandoned. Willie isn't a story. And the mouse imagery takes on a deeply unsettling life of its own.

This isn’t just a horror flick riffing on a famous name. It’s a confrontation with how we process myth, memory and the repackaging of the grotesque. It’s also just very nasty in the way proper indie horror should be, nasty and inventive and unafraid to tip into madness. Influencer culture, fame-hunting and our hunger for nostalgia all get skewered here, sometimes literally.

With its grindhouse visuals, unsettling creature design and dark humour curdling into dread, I Heart Willie might not be for the faint-hearted. But for horror fans hungry for something mean, weird and unashamedly unhinged, this could be the one to watch.

I Heart Willie hits UK digital platforms on 23 June.